Cult films inspire art -- the work of Steve D. Stones

As readers know, Steve D. Stones is the co-blogger at Plan9Crunch blog. In fact, his work, Plan9Crunch is our blog logo. We've taken advantage of Steve's talents many times to provide art for blog posts. Steve is a professional, highly regarded artist and teaches at Weber State University in Ogden, Utah.

Today we are starting an occasional series in which we feature Steve's art and link to blogs that likely served as partial inspiration for the art.

As you can see above, the first art is a Post cereal box with Hideous Sun Demon Flakes. We have reviewed Hideous Sun Demon and the link is here. Here's an excerpt: In his autobiography “Robert Clarke: To B or Not to B: A Film Actor’s Odyssey,” Clarke mentions that he had a desire to create a film similar to the Robert Louis Stevenson story Dr. Jekyll & Mr. Hyde. He was impressed with Dr. Jekyll & Mr. Hyde while seeing it in a movie theater at the age of 12. He wanted to create a film that would have much more substance than The Astounding She Monster. 

Steve's next art is a Vampire Crunch cereal with Nosferatu enjoying a meal. The link to a review of the film is here. And the excerpt: Max Scheck’s portrayal of Count Orlok is grotesque and iconic, a true screen legend that continues to haunt audiences even today. Scheck’s Orlok is more truthful to Bram Stoker’s vampire in the Dracula novel. More contemporary depictions of Dracula show him as a handsome aristocrat that attracts and repels beautiful women. Scheck’s Orlok is meant to be a frightening creature, avoiding any romantic references.

The final work of Steve's for this blog is Kellog's Creature Crunch, which features the iconic Creature From the Black Lagoon of Universal horrors. Here's a link to a review of "Octaman," a low-low-budget ripoff of original Creature. We hope you have enjoyed the art and the reviews. And here's an excerpt: Some viewers have described Octaman as a low-budget version of The Creature From The Black Lagoon. There are some similarities. For instance, there is a scene where the expedition is trying to leave the local area in their motor home. They encounter a fallen tree that blocks their path on the road, making it so that they cannot leave. This is similar to when the creature in The Creature From The Black Lagoon moves a fallen tree in front of the boat expedition.

THE HIDEOUS SUN DEMON: Be sure to wear sun tan lotion!

By Steve D. Stones 

I have to admit that The Hideous Sun Demon is my favorite low budget monster movie of the 1950s. I would have loved to see this film on a drive-in movie screen in the late 1950s. It would be even more interesting to have seen it on a double bill with another Robert Clarke film, such as The Man From Planet X, The Astounding She Monster or Beyond The Time Barrier. 

Clarke starred in The Astounding She Monster just a year before he directed and starred in The Hideous Sun Demon. He took some of his profits from She Monster and invested them into this film. In his autobiography “Robert Clarke: To B or Not to B: A Film Actor’s Odyssey,” Clarke mentions that he had a desire to create a film similar to the Robert Louis Stevenson story Dr. Jekyll & Mr. Hyde. He was impressed with Dr. Jekyll & Mr. Hyde while seeing it in a movie theater at the age of 12. 

He wanted to create a film that would have much more substance than The Astounding She Monster. Viewing The Hideous Sun Demon, it is easy to see some of the similarities of the Stevenson classic. 

One major difference is that Clarke’s character, Dr. Gilbert McKenna, is a victim of an atomic experiment gone wrong. Dr. Jekyll willingly conducts experiments on himself to understand the duality of good versus evil in every man’s soul. Plus, Clarke’s character has a conscience of not wanting to kill innocent victims. 

After his transformation of the Sun Demon and back to Dr. McKenna, McKenna expresses a deep regret for his murder victims. In his own mind, he is a victim himself, and has no desire to want to commit murders while he is in the normal state of being Dr. McKenna. While in a transformed state of being the Sun Demon, McKenna cannot control his murderous desires. 

What makes The Hideous Sun Demon so appealing to me is the unique Sun Demon costume worn by Clarke. It is a truly unique and frightful costume. Clarke claims to have paid $500.00 for the costume. Like Dr. Jekyll & Mr. Hyde, Clarke transforms into the Sun Demon while wearing his everyday clothes. Many of the production stills taken for the film show Clarke’s trousers drenched in the front and back. This is because the actor was sweating heavily from the heat of the costume. Nevertheless, it adds uniqueness to the creature and makes it more believable, in my opinion. 

Another unique element of Sun Demon is the timeless theme of beauty and the beast. Clarke cast busty blonde Nan Peterson, star of Louisiana Hussy, as a beautiful nightclub singer that Dr. McKenna becomes infatuated with. McKenna falls in love with her, but he knows his love cannot last because of his condition. After a lustful night on the beach with the girl, McKenna abandons her as the sun comes up to transform him into the Sun Demon. 

There is even a love triangle aspect to The Hideous Sun Demon. Dr. McKenna works in his laboratory with a pretty young brunette named Ann Lansing, played by Patricia Manning. In one particular scene, McKenna hides in the cellar of his basement after returning from a murder spree as the Sun Demon. Lansing confronts him in the cellar. She expresses her concern and care for McKenna, but he rejects her sympathies for him. She goes on to say that she loves McKenna and wants to find help for him.

Perhaps the most touching and sentimental scene of the film is when McKenna once again is confronted in a hiding place, only this time by a five year old girl in a 50s poodle skirt. McKenna is being pursued by local police, and hides in a mill near the little girl’s home. She offers to bring him cookies and decides to be his friend. This is the most touching scene of the film. The little girl rushes home to steal some cookies to give to McKenna. Her mother discovers she is about to take the cookies to McKenna, so she calls the local police. 

McKenna flees the mill and immediately transforms into the Sun Demon. McKenna is chased to the top of a giant gas tank, where he meets his death as a policeman shoots him and he falls to the ground. This scene is not unlike the ending of well-known monster movies, such as Frankenstein and The Phantom of The Opera, in which the local townspeople chase the monster and he meets a violent death, only in this case it’s the local police who chase the monster. 

Some critics suggest that the formula of The Hideous Sun Demon does not work because the Sun Demon can only transform into the monster in the sunlight, unlike other monsters, such as The Wolf Man and Dracula, who lurk in the dark.

I disagree with this assessment of Sun Demon. A monster who lurks in the dark is certainly much more scarier than one which is out in the daylight, but The Hideous Sun Demon is not attempting to surprise or scare the audience in the same way that creatures of the dark are known to do. The Hideous Sun Demon is the result of atomic radiation, so he is a victim of his environment, and not a product of the undead coming back to life, such as a zombie or a vampire. 

He is also not a product of several parts of a corpse being assembled together, such as Frankenstein’s monster, so he is not intended to be a monster of experimentation. This is what makes the Sun Demon a unique creature and interesting film.