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Thursday, July 16, 2026

Ranking The Main Deadites In Each Evil Dead Film

 

 

By Joe Gibson

 

Recently, to ring in the release of Evil Dead Burn, I have been rewatching some of the previous films with the goal of ranking the main Deadites in each film. Then, I figured it did not make much sense to exclude Burn from this list so I watched Evil Dead Burn, taking note of who can be considered the main Deadite, and this ranking will help me formulate my thoughts for my updated Evil Dead film ranking. Without much further ado, we will start this list with some controversial shenanigans. Major spoilers ahead for Evil Dead Burn.

 

#6 - Deadite Mia, Evil Dead 2013

 


This is a controversial placement because most people (correctly) view Mia to be an improvement over Cheryl, but allow me to explain why her Deadite version is this low despite being on par with or better than Cheryl’s. I feel it is a rather logical technicality. Deadite Mia comprises essentially 3 different characters, and the actual Deadite version of Mia that infects Olivia and Natalie that gets stuck in the cellar is leagues ahead of the two that this movie forces me to lump in with her. 

 

When the Naturom Demonto turns Mia, the scene uses imagery of a different Mia appearing to her, and this is very enigmatic to me. It happens again with Olivia later, but in that case Deadite Olivia acted in the same manner as the vision she had, which is not true of this first Deadite Mia that only screams and summons the vines for the obligatory rape scene. Perhaps, this being is the same as the third version of Deadite Mia, the Abomination that rises for the boss fight. But that doesn’t really make sense either. The Abomination still has yet to rise by that point, and I am assuming that the in-universe reason it chose Mia’s form was because she was far and away the most tenacious and long living of the Deadite options available to it, which she was not yet at the time of her corruption. (There is reason to believe that the Abomination itself returned in a different form in Evil Dead Burn, and that visage would also be contextual.) So three characters. 

 

And yes they all have to look like Mia in order to further the drug abuse metaphor where she battles the worst aspects of herself, but I will again point out how the film does not use that well, because she does not fight the Abomination in a manner coded as getting clean; she fights the Abomination in a way coded to the Deadites (and thus her addiction) in this movie: self mutilating (cutting off her hand) in order to hurt the people closest to her. Also, though my main consideration here is the main Deadite of the film, I have to consider the others, and 2013, aside from Deadite Mia 2, has the worst Deadite cast. They act essentially as zombies and because the Deadite possession was meant to symbolize Mia's drug addiction, the rest of the Deadites are superfluous to the movie, have nothing to contribute and each barely last a scene.

 

#5 - Bad Ash, Army of Darkness

 

Army of Darkness has the most wild variation of Deadites aside from maybe Evil Dead 2, as Deadite ranks consist of weird flying harpy things, a pit witch, a pit b–Deadite, an army of skeletons, a battalion of Mini Ashs, and the fearsome leader Bad Ash, the cellular mitosis result of Ash swallowing one of his tiny doppelgangers. For the nostalgic practical effects and the truly unique tone of this film, it is almost a tie between this and the number four spot. I appreciate both immensely.

 

The meat of this section will have to go to evaluating Bad Ash, but I probably have to justify why I am calling him that. The Bad Ash label is an inclusive umbrella term that can describe any time Ash gets Deadited, and even though the specific character in Army of Darkness calls himself Bad Ash, he is officially named Evil Ash. That is dumb. 


He is Bad Ash because he says he is, and I am more than happy to just call the Evil Dead 2 Deadite versions Deadite Ash 1 and Deadite Ash 2 (apparently Bad Ash himself was the doppelganger in the mirror in Evil Dead 2 though his vocal pitch was lower there). Whether or not we should count these as separate characters or the same is unclear because apparently in Ash vs Evil Dead, a version of Bad Ash called Evil Ash 2 grows out of Ash’s severed hand, and I have not yet ascertained if they are the same personality or even the same demon.

 

In the context of Army of Darkness, Ash kind of stumbles into hijacking both sides of a skeleton war, and while the real Ash grows into a (slightly) better hero, his evil doppelganger loses all semblance of humanity, eventually becoming just another skeleton (albeit the coolest looking one). Though Bad Ash shares several character traits with Ash, including attraction to Sheila, he overestimates the moral virtue of Ash consistently. Even after Ash shot him and cut him into pieces without hesitation, Bad Ash is still surprised when Ash stabs him in the back later during the castle siege. That is a more interesting Evil Clone dynamic than usually occurs in popular media. I can’t help but feel like Bad Ash holds the film back from being a little scarier, but the second they changed the title from Medieval Dead to (Bruce Campbell vs The) Army of Darkness, that was already a given.

 

Still, the bulk of the Deadite creativity went into Bad Ash’s various forms and choreography, which kind of grounds him into being a microcosm for the whole Deadite cast. At first, he mimics the impish nature of his diminutive progenitors, still resembling a human more than a corpse. After his burial, he is rotted to a sufficient degree to fit alongside the more detailed captains in his army, and, by the end, he is a stop motion skeleton like the bulk of his army. You will see this with the next pick on this list, but just because a film does not have the definitive Deadite does not mean I dislike them. With how experimental this series is, I will accept whatever episodic spin each film wants to put on their Deadites (so long as they do it more holistically than 2013 did).

 

#4 - Burning Deadite, Evil Dead Burn

 

Though I have claimed before and will continue to claim after this post that Burning Will is the main Deadite in Evil Dead Burn, this new film might be the closest to a true ensemble. Jessica acts like a classic Deadite to get the plot started, Edgar fits closest into the Cheryl role, though he, himself, technically could have been any creature including a vampire based on the way he acts, Thya and Polly both get major setpieces as main antagonist, and Susan is the most continuous antagonist to Alice in the film. 

 

Still, Will is the reason for the gathering, the reason for Edgar's infection, the pattern of behavior that the film uses Deadites to examine, and the other Deadites foretell of his coming similarly to 2013's Abomination (also it takes at least 5 souls claimed for him to finally show up). Also like that Abomination, Will has a burning touch and headlines a boss fight. If certain commentators are correct, then Jessica actually transferred her essence to Will, which would be another point of similarity to the Abomination. 

 

The Abomination, in the symbolism of 2013, is Mia finally facing and overcoming the darker aspects of her character, but in the actual narrative and plot, it's just a boss fight, and the Abomination is just fishing out around for stock dialogue, which would be the case for Jessica if the Burning Deadite is not just a new one made from giving a new demon Will's memories. (Yes, I know that Polly implies that she wants to take that passerby's leg in the post credits scene, but that does not inherently mean she wants to body hop. I would expect a Deadite that's down a leg to rip off a human's and try to animate it before I would expect the masochistic self harming Deadites to jump ship once the body is arbitrarily too damaged.) 

 

My ideal Deadites would look more like Cheryl, Ed, Henrietta or even Mia with the more uncanny deterioration, but within this film making it very difficult to differentiate the personality of Edgar and his Deadite, I would prefer people's demons remain their own. Also, given the variety of the Deadites on display, with a dog, a fire demon, and a funny Grandma, I can handle Edgar, Susan and Joseph’s lack of Deadite skin texture.

 

#3 - Deadite Cheryl, The Evil Dead


 

Though the film is very low budget, the progressing make up for the original Deadites, especially Cheryl, just conveys the body horror best of all for me. It is not enough to have the personality change into a sarcastic zombie with CGI effects; it is scary to see what Cheryl becomes over the course of her movie as the lead Deadite. (Even a top tier Deadite like Ellie feels a little naked without such a dramatic change to the skin texture in the face as what happens to Cheryl and Mia.) It is also scary to see it continue to happen to Shelly, Linda and Scotty, but, in retrospect, the better Deadite casts have a bit more variety and purpose to their transformations. 

 

As I mentioned in my Out of the Theater reaction to Evil Dead Burn, Scotty’s (and his emerging archetype) Deadite transformation is kind of superfluous most of the time. Shelly’s transformation is necessary to raise the stakes, but Linda ends up being the other standout Deadite of the film by acting differently than Cheryl in a way that gets to Ash. (It is tragic that Evil Dead 2013 struggled so much to give Natalie any kind of characterization living or dead-ite.)

 

There was clearly room for improvement in the makeup, but, as is the case with practical effects, it is real. It is something you can touch. We’re all playing along when we watch a movie, but you take that design and film it the right way and it is scary. I stand by my take that The Evil Dead is the true masterpiece of the franchise, but it also does not mean that its Deadites are untouchable. For instance, Scream 1996 is the best in that series, but I think the killers of films 2 and 4 are better.

 

#2 - The Marauder, Evil Dead Rise


 

I am closing out this ranking with some more shenanigans, though again I hope logically sound ones. While Deadite Ellie is the Cheryl of this movie, the fact that she participates in the boss fight as a fusion with the two other main Deadites of her film places more importance on the part of The Marauder. The Marauder proves my point of “The Main Deadite must be partially evaluated through the rest of the Deadite cast,” as it is the culmination of Deadite Ellie’s bizarre views of motherhood, thus becoming the obstacle for Beth to overcome on her journey to becoming a good mother. The beings that make up The Marauder also act like classic Deadites, a good return to form after 2013, with their eye shades representing the different types in the franchise and their taunts including the phrase “Dead by dawn”. However, part of Sam Raimi’s creativity with the Deadites was the sheer malleability that the Kandarian demon found in its prey, the asymmetry of the Evil Dead 2 Deadites and the fact that the tree was technically the boss fight there. The Marauder is a fine compromise to get us back to these "biologically impossible Deadite abominations.”

 

Now, Deadite Ellie herself is a standout in this franchise, and the conversation of the best Deadite in general will come down to Ellie or Henrietta (though Cheryl and Mia are often runnersup, and Jessica has some upward momentum if she is still around). I have held strong in my respect for Ted Raimi’s Henrietta, partially because Henrietta is the particular Deadite that always scared the crap out of me when I was younger. As you can tell, I am giving Henrietta the top spot today, but with the return of Ellie Bixler in the post credits scene of Evil Dead Burn, it seems clear that the franchise is not done with her. If Ellie is in the next film after Evil Dead Wrath, unless they severely botch her character, she will probably leave Henrietta far in the dust. I will give Henrietta her dues for now, but first, let us glaze Deadite Ellie.

 

Ellie, in some ways, feels like an amalgamation of the best parts of Cheryl and Henrietta: inciting Deadite made from the protagonist’s sister and creepy mother that sings a lullaby to her child. She is shut out (though in a hallway and not a cellar), and, when the plot has fully thickened, you get the classic moment of her cackling and frothing like a wild animal. Still, Ellie has her own unique accolades too. Alyssa Sutherland gives perhaps the greatest Deadite performance ever, with the optimal physicality and emotional range. The tension between the two Bixler sisters serves into the theme of the movie for once and also functions better, setting up the main conflict for Beth and remaining relevant through each plot point. (The throughline with David and Mia in 2013 is better than I had remembered actually, with him refusing to leave her behind, but human Mia’s lack of act 2 focus and David’s abrupt death still limit their dynamic.) 

 

Of the main Deadites in the franchise, it makes the most sense to bring her back, and even the method of bringing her back was not too strange for this franchise. Her urn in Evil Dead Burn was very small and likely only contains the arm and leg that Beth shot off in the hallway (the other Deadites there either left intact, fell dormant, both, like Jessica, or joined the rest of Ellie in the Marauder so only those limbs would be left intact amongst the carnage), and her tattoos make those limbs easily identifiable. Apparently, in Ash vs Evil Dead, Ash’s severed hand from Evil Dead 2 grew into a full second Bad Ash, so there is precedent for a Deadite limb to reassemble into the clone of a full Deadite. Like it or hate it, but Ellie 2 makes sense, so we will have to see how they utilize her in the future and if they take inspiration from the best Deadite.

 

#1 - Henrietta, Evil Dead 2

 

 

My recent rewatch has been most favorable to Evil Dead 2 as it resolved many of my issues with it, and I was once more taken aback by the tenacity of the Kandarian demon and its impressive Deadite cast. It is easy to forget how persistent the demon is trying to get Ash because Bobby Joe, Jake and Annie all remain human instead of turning into Deadites, but the demon tries every single trick it can to get Ash, turning him into a Deadite three times (if you count the hand) and literally chasing him throughout the cabin in its noncorporeal state. Deadite Linda is better here than in the first film (though I still do think her human form is underwritten except for the foreshadowing of the Deadite choreography with her dancing), and Ash’s hand is so unbelievably persistent compared to the entire cast of 2013. Ed, though again underwritten as a character, shines as a Deadite for his scene because of the uncanny facial prosthetics, and it is much cooler to see the Tree fight Ash than it is to see it rape somebody (but unfortunately it still does that as well.)

 

All of that is important and helps cement Evil Dead 2 as the most creative film in the franchise, but with the tone balancing at play here, Henrietta, despite her lack of screentime, actually almost singlehandedly is the thing keeping it a horror film. From her first appearance, she is a desiccated late stage Deadite with such mastery over her abilities that she is basically a shapeshifting witch. Though Ted Raimi plays her as a stunt casting with his tongue in his cheek, that makes her scarier, and the constant reminders that she is down in the cellar help to reset the tone when it gets too goofy. Consequently, Henrietta kind of slouches into the role of quintessential Deadite because she is incredibly powerful and scary but has such a potent sense of humor that she feels at home alongside Ash’s slapstick. I genuinely believe that Henrietta would feel just as much at home in The Evil Dead and Army of Darkness as in Evil Dead 2, and if you don’t believe that, why not? Henrietta has a range that no other Deadite before Ellie really had, and Henrietta still has an edge over her in that regard.

 

I avoided spoilers for Evil Dead Burn quite well ahead of the release. It was only while sitting in the theater during the previews that I stumbled upon the vague spoiler that the second post credits scene would feature the return of a Deadite that can be referred to as “Mommy.” Though I knew that probably meant Ellie was the one coming back, I held out hope it would be Henrietta because if we’re not getting Ash back, Henrietta is the next best thing. As you know, Ellie is back, but with that revelation comes implications for the rest of the franchise.

 

Bringing Ellie back without Beth and Kassie would be kind of hollow, so they and their chainsaw will probably be back as well. (Conversely, Henrietta is less tethered to her family at this point and probably actually knew the Prices, so could bounce off Polly well for comedic scenes.) Ellie, at this point, probably cannot manipulate either of them as well as she could initially, so they will need to find another angle with her, and I honestly think they should draw from Henrietta’s powerset. A flying shapeshifting Deadite witch would be a stakes escalation for both Beth and Alice, and I think it would be interesting if Alice, while presumably fending off Deadite possession like Ash in Evil Dead 2, hears Ellie in her deaf ear cracking dumb jokes. Alternatively, they could draw from Bad Ash, since Ellie also just materialized out of nowhere to presumably lead this growing Army of Darkness in the modern day. Whatever they chose to do with Ellie, it is important to note that the filmmakers now finally have a chance to surpass Henrietta, and they had better not squander it whatever direction they go in.


Here at Plan9Crunch we like the Evil Dead films (though our tastes are slightly different between each of us), and we have covered some of them in the past here and have plans for further coverage. Our YouTube page as an "Out of The Theater" reaction to Evil Dead Burn, and there will be a longer review in a couple of weeks. Also, around that time, I will release an updated ranking of the films including Evil Dead Burn here.

 

Sunday, June 7, 2026

Our favorite films: Doug Gibson, Rob Craig and Steve D. Stones



Hi Cult Film Fans! We at Plan9Crunch are nerding out a little as summer gets into swing. This week we'll be at Monster Bash, by the way. Anyway, myself, Doug Gibson, acclaimed cult films author Rob Craig, and artist and co-blogger, Steve D. Stones, have named our all-time favorite films, for now. Read on and see how many films you agree should be on the list. And check out the films you've never seen. Believe it or not these films are accessible!


DOUG GIBSON’S FAVORITE FILMS

 

My favorite 3

Night of the Hunter (1950s)

Dracula (1930s)

The Black Cat (1930s)

--

Silent

The Cabinet of Dr Caligari

Nosferatu 

Haxan

The Golem

Three's a Crowd (Harry Langdon)

The General ( Keaton)

The 1930s

The Bride of Frankenstein 

The Old Dark House 

The Dark Horse (Guy Kibbee)

Mr. Smith Goes to Washington 

You Can't Take It With You

Peach O'Reno (Wheeler and Woolsey)

Duck Soup

The Raven 

1940s

Devil Bat

The Corpse Vanishes

Detour

The Grapes of Wrath 

Stranger of the Swamp

Abbott and Costello Meet Frankenstein 

The Time of Their Lives

1950s

Plan 9 From Outer Space

Bride of the Monster 

Night of the Ghouls

Shane

 

1960s

Wait Until Dark

The Haunting

Spider Baby

The Human Duplicators

The Sadist

The Thrill Killers

Support Your Local Sheriff

Night of the Living Dead 

1970s

Fat City

Rocky

The Godfather Part 2

Torture Dungeon

Halloween 

Dog Day Afternoon 

Meatballs 

The Outlaw Josey Wales

The Legend of Hell House 

1980s

Tootsie 

Planes Trains and Automobiles 

Indiana Jones and the Last Crusade

Crocodile Dundee

They Live

1990s

Can't think of a great film

2000 on

Return of the King

The Others

Sinners

The Grand Budapest Hotel

Mr. Jones

Nosferatu

 


 

ROB CRAIG’S FAVORITE FILMS

 

Top “50” Horror/Sci-Fi Movies 1953-1984

The Angry Red Planet (1960)

The Asphyx (1972)

The Astounding She Monster (1958)

The Atomic Brain (1964)

Attack of the Mushroom People (1965)

The Baby (1973)

Bloodthirsty Butchers (1970)

The Brain that Wouldn't Die (1962)

Brides of Blood (1968)

The Brood (1979)

A Candle for the Devil (1973)

Carnival of Souls (1962)

The Children (1980)

Creation of the Humanoids (1962)

The Crawling Eye (1958)

The Creeping Terror (1964)

The Cremators (1972)

Day the World Ended (1956)

Death Race 2000 (1975)

Demon Witch Child (1974)

Destroy All Monsters (1970)

Dungeon of Harrow (ca 1964)

Evil Brain From Outer Space (1965)

Eyeball (1975)

Face of the Screaming Werewolf (1965)

Fantastic Planet (1973)

First Spaceship on Venus (1962)

Frozen Scream (1975)

Godzilla vs the Smog Monster (1972)

The Ghastly Ones (1968)

Halloween III: Season of the Witch (1982)

The Horror of Party Beach (1964)

Horror of the Blood Monsters (1970)

The Human Duplicators (1964)

The Incredible 2-Headed Transplant (1971)

Invasion of the Blood Farmers (1972)

It Conquered The World (1956)

“It's Alive!” (1969)

Journey to the Center of Time (1967)

Killers from Space (1954)

The Killer Shrews (1959)

The Lathe of Heaven (1980)

The Little Shop of Horrors (1961)

The Lost Continent (1968)

Manos, the Hands of Fate (1966)

The Manster (1962)

The Man With Two Heads (1972)

Mars Needs Women (1967)

Monster Zero (1970)

The Mutations (1973)

Night of the Bloody Apes (1974)

Night of the Ghouls (ca 1960)

Night of the Living Dead (1968)

1984 (1984)

Not of This Earth (1957)

Parts: The Clonus Horror (1979)

Phase IV (1974)

Pieces (1982)

Plan Nine from Outer Space (1959)

Planet of the Vampires (1965)

The Pyx (1973)

Robot Monster (1953)

Shriek of the Mutilated (1974)

The Terror (1963)

Terror From the Year 5000 (1958)

The Texas Chainsaw Massacre (1974)

Torture Dungeon (1970)

The Undead (1957)

Vampire's Night Orgy (1975)

Videodrome (1983)

Voyage the the Planet of Prehistoric Women (1967)

Warning From Space (1964)

War of the Gargantuas (1970)

When Dinosaurs Ruled the Earth (1970)

The Wild World of Batwoman (1966)

The Wizard of Mars (1965)

Womaneater (1960)

Z.P.G.: Zero Population Growth (1971)

 


STEVE D. STONES’ FAVORITE FILMS

 

1). The Cabinet of Dr. Caligari (1919). 2). Dawn of The Dead (1978). 3). Carnival of Souls (1962). 4). Things To Come (1936). 5). The Crawling Eye (aka The Trollenberg Terror) (1958). 6). The Beast of Yucca Flats (1961). 7). Plan 9 From Outer Space (1958). 8). Torture Dungeon (1970). 9). Star Wars - Episode IV - A New Hope (1977). 10). Nosferatu (1922). 11). Killers From Space (1954). 12). Night of The Living Dead (1968). 13). Faster Pussycat, Kill, Kill (1965). 14). A Bucket of Blood (1959). 15). Black Sunday (1960). 16. Rubin & Ed (1991). 17). Creepshow (1982). 18). Forbidden Planet (1956). 19). The Day The Earth Stood Still (1951). 20). The Thing (From Another World) 1951. 21). Godzilla vs. Megalon (1974). 22). Raiders of The Lost Ark (1981). 23). Die Hard (1988). 24). Predator (1987). 25). Dracula (1931). 26). Two Thousand Maniacs (1964). 27). The Phantom of The Opera (1925). 28). For A Few Dollars More (1967) 29). Pink Flamingos (1972). 30). Multiple Maniacs (1970). 31). Once Upon A Time In The West (1968). 32). Jaws (1975). 33). Dirty Harry (1971). 34). Children Shouldn't Play With Dead Things (1972). 35). The Screaming Skull (1958). 36). Jackie Brown (1997). 37). Hellraiser (1987). 38). Time Bandits (1981). 39). Blade Runner (1981). 40). The Hideous Sun Demon (1959). 41). Curse of The Swamp Creature (1968). 42). The Corpse Grinders (1972). 43). Where Eagles Dare (1968). 44). Shock Waves (1977). 45). The Road Warrior (1981). 46). Murder Mansion (1972). 47). Suspira (1977). 48). Star Wars - Episode V - The Empire Strikes Back (1980). 49). The Good, The Bad & The Ugly (1968). 50). Quatermass II: Enemy From Space (1956).   

Monday, June 1, 2026

Ranking The First Five Evil Dead Films

 

By Joe Gibson

 

Some Preamble

 

When I was a small child, I was actually afraid of many of the cult films we look at on this blog. Indeed, the Nilbog goblins joined the ranks of vampires and zombies in my early nightmares, and, even after overcoming that, the abominations affectionately called Deadites from The Evil Dead and Evil Dead 2 terrified me deeper than anything. That’s a credit to the creatures and filmmaking on display. Though the films were cheap, the writing a little shaky, and the performances unrefined, there was something so maximally uncomfortable about the Deadites that stuck with me during my glimpses through closed fingers while my father watched those films. Everything that is scary about demonic possession and everything that is scary about zombies came together in that delightfully warped package. Bruce Campbell, as the guy who could defeat them, naturally took on a somewhat mythic status, though I preferred to watch his Spider-Man cameos and The Man With The Screaming Brain.

 

Of course, over the years, I have grown up a little. After measured exposure to Evil Dead 2, I could appreciate the physical comedy that goes hand in hand with the terror. Last October, I revisited the franchise (almost) as a whole, and, though I watched with rapt attention, the irrational fear was gone, replaced with analytical interest. You can find some of these thoughts in a video we put on the YouTube channel discussing the franchise here (Podcast 47: Plan9Crunch vs Evil Dead). 

 

 

At the time, though not necessarily enjoying it as much as the original trilogy, I was rather sympathetic to Evil Dead 2013 to the point where I thought it sufficed to say that they were all pretty much on the same level quality-wise, especially because they each shared some of the same issues (worldbuilding inconsistencies, lack of that many great performances, etc.). In order to be able to make the ‘they all have bad acting’ point, I skipped Evil Dead Rise (because, as I was recently able to validate, aside from some accent slippage at times, there is not a single bad performance in the 2023 film). My main point of interest in the franchise, however, became the notion that if you stitched the first three films together and lopped off the recap segments from Evil Dead 2 and Army of Darkness, then you have a really interesting psychological thriller character study about Ash Williams. Think about it. 

 

Without the benefit of being distinct films, the gradual tonal shifts from horror to slapstick comedy must take on another meaning, and the story becomes even more compelling if Ash losing his mind in the second film leads to him viewing the Deadites through the lens of the comedy shorts he would have grown up watching. Add back in the repetition of certain motifs (his hand fights him the way the little people in Army of Darkness do, there is always a Deadite in a pit or cellar he must venture into, and Ash gets a procession of doomed love interests and doomed friends until he finally can save them in the third film), and you also have the question of narrator reliability (which can explain the inconsistencies such as the book getting destroyed in the first film, Cheryl and Henrietta maybe kind of sharing that cellar and why the films themselves keep misremembering what Linda looked like).

 

In just a little over a month, Evil Dead Burn will come out in theaters, and, based on the trailer, it looks like it is following up on the disconnected “Deadite Jessica” bookends from Evil Dead Rise, so it is time to update my Evil Dead franchise thoughts here for you all. So, as if foreordained, a couple weeks ago, I randomly had a nightmare replicating the fears I used to have of the Deadites, where I was holed up in my bathroom as Deadites were trying to get in. This past week, I watched Evil Dead Rise, and it definitely has changed my opinions on the franchise in some notable ways. I figured the most prudent way to explain this is a ranking, since it is fairly common to rank a horror series right before the latest installment drops. Once Evil Dead Burn comes out, we will likely discuss it on our YouTube page, but I think I may also rewatch the other films around that time and give another updated ranking with Evil Dead Burn as well. Still, that will take a while, so let us get into this one now.

 

Ranking

 

 

#5

 

The major impact Evil Dead Rise has had on my assessment of this franchise is that I am no longer a 2013 Evil Dead apologist, and, in large part, that comes down to the Deadites. These Deadites are the weakest in the entire series, succumbing to mere amputation at times, and, outside of Mia, they don’t really talk so they might as well not even be Deadites but some other self-mutilating mutation the Book of the Dead can come up with. The more pressing problems arise with the new possibility for recovery that the film shows with Mia…but did not really bother to set up when they could have in the opening scene. I still don’t understand the purpose of that opening scene; people criticize the Rise bookend with Jessica, but at least the relationship between Jessica and her cousin parallels the sisterly bond at the core of Rise. 2013’s opening shows a grieving father set his Deadite daughter on fire, and the main plot has David so devoted to his Deadite sister that he basically gives his life to bring her back. Those don’t have anything to do with each other outside of both having Deadites. 

 

Mia, herself, is a good character, but if the intent was to restore the agency to Cheryl (probably a necessary thing to do in a modern remake), don’t have the tree still assault her and then spend the entire second act disallowing the real Mia from being a character with agency, just to rush her into a boss fight at the end. Her initial possession is supposed to reflect her drug withdrawal symptoms, and that is a really neat setup that kind of justifies the cabin excursion, but they drop it almost immediately because what the film wants to be is the scariest, bloodiest film ever that uses the most blood ever. She still finds strength to overcome the Big Bad of the film, but I cannot say for sure that her sobriety journey ties into that fight. She was a Deadite but became clean for want of a better word, and the way she defeats the baddest Deadite of all is by ripping off her own hand and grabbing a chainsaw. That mirrors Ash, but Ash is only debatably canon to the events of this film, so we have to compare her post Deadite behavior with her Deadite behavior, which, in both cases, was self-mutilation that enabled her to hurt the person or persons nearest to her. Again, that is a really cool metaphor for drug abuse, but I do not think the film carried it through properly. 

 

Similarly, Natalie and Olivia are basically nothing characters, David cannot handle the Ash shaped spotlight, and, for the entire second act, I am rooting for Eric not to die of his wounds because he’s the guy carrying the movie. I respect a lot of the authorial intent as I understand it; my issues are just with the execution. If anyone can explain what I am missing about the film (or if Evil Dead Burn gives me a newfound appreciation for 2013), I would appreciate it. I want to like this movie and have defended it in the past.

 

#4

 

The difficulty I have in ranking franchise installments, especially franchises as esoteric as Evil Dead, is that my “favorites list” and the “worst to best films list” are distinct and often entirely separate orders. Army of Darkness appeals so much to me based on the nostalgia I have for Jason And The Argonauts, The Magic Sword and The Three Stooges, but it does not fare very well on the criteria I use to analyze most films. That said, as a comedy bordering on genre parody, it has one of the best possible excuses for some of its leaps in logic. Though the performances are not great, I think that the slow(er) progression of Sheila and Arthur into their Linda and Scotty archetypes makes them better fleshed out characters than most of the cast of 2013 just starting out as an expy of the original character and dying. The different Deadite rules make sense in context, since this is technically the prophesied final battle set in a time where Deadites were powerful and plentiful enough to take on the civilized world. 

 

This is the most iconic version of Ash’s character, but unless you try to analyze the increasing wackiness as part of his character progression, it just comes off as abrupt. It also kind of retrospectively deals further damage to something in Evil Dead 2. Just from The Evil Dead, I buy the love Ash has for Linda, and I have argued that the montage at the beginning of Evil Dead 2 is not good enough to replace that for the context of his love being so pure that it temporarily brings him back from being a Deadite. Including another montage in the story where Ash moves on proves my point that the montage is not sufficient. Writing it all out, less of my complaints were justifiable than I initially could think of, and that is why this is 4th and not 5th, but it might even have some further upward mobility next time I do a ranking like this. Since I have also only recently seen one of the many cuts of this movie, I will probably also have to find the alternate versions and see if any of those fix my remaining issues with it.

 

#3

 

This might seem like heresy, but I have bumped Evil Dead 2 very low here. I still respect it a lot for the marriage of terrifying horror and goofy physical comedy, this is the film I show people to get them into the franchise, and I think it is easily Ash’s best film for showing off Bruce Campbell’s range and sheer acting ability. Henrietta, along with Cheryl, is the ideal kind of Deadite performance and makeup, and I give Henrietta an edge over Cheryl. Aside from those two though, I think the characters are largely a downgrade in acting and writing from the original. 

 

This may be an area where we have to agree to disagree, but I do not think Annie is anything more than a prop in the plot to go between her love interests’ arms and do what the plot needs her to do. If you watch Within The Woods, the scenes of possessed Bruce Campbell are reproduced towards the end of Evil Dead 2, and they are done better, but I lack the investment in Annie that I have in Ellen during that short. In the past, I have had a more positive view on her character, and I hope that I can recapture that by noticing some kind of nuance. In any case, aside from her, the other characters are Jake and Bobby Joe, who are certainly memorable, but not exactly important enough to rival Scotty or Cheryl. And Ed Getley, despite having a great Deadite form, seems like barely a character to me. (Of course, I understand that the tradeoff for this underdeveloped cast is the Bruce Campbell one-man show that dominates the first half, and I would not trade that for a better cast.)

 

The biggest reason it is this low, however, is because I think Professor Knowby’s ghost showing up and being able to influence the plot in the peak of Deadite infestation is either a plot hole or the sloppiest worldbuilding in the entire franchise. Pending another rewatch, I do not think Raimi and Tapert considered what they were doing by setting that precedent and then never following up on it again. Demons existing already do not necessitate ghosts, but if ghosts are also real and have some degree of power, the stakes already change considerably.

 

#2 

 

I contemplated putting Evil Dead Rise at the very top of this list, because it is the most polished of these films. It looks and sounds the sleekest, while remembering the core aspects of the franchise that 2013 forgot. If you want the Deadites to symbolize something meaningful to the main character, family is an important theme across the entire movie and not just part of it like the drug abuse in 2013. If you want a different kind of story with the same old kind of Deadites (down to chanting “Dead by dawn”), the Deadites being in a high rise trying to infiltrate a room instead of being trapped in a cellar trying to get out should suffice for you, and, front and center in the marketing, Ellie is a Henrietta-level Deadite performance but with the Cheryl-type personal connection to the lead. Also, and this is more for the worldbuilding, not only are these Deadites the most relentless they’ve been since Evil Dead 2, but in the film, you can hear Ash somehow time displaced to 1923 trying to stop their initial discovery, so this still has relevance to the old Evil Dead, just bringing it into a new era. Though this film made a lot of money, it has been popular to criticize it. 

 

Many of the most prevalent complaints surround the lead character Beth, and I do not really understand why. While I would not have brought out the chainsaw so soon, her level of damage taken and personal stake in the plot is as good as Ash’s in The Evil Dead, so anyone saying she didn’t earn the chainsaw or doesn’t fit into the movie is being a little silly. Still, I agree that the chainsaw is more of a film 2 thing, and Beth’s struggle is only at first film Ash difficulty since she doesn’t even stop the curse. (That’s why I gave the chainsaw a pass in 2013; it seems to be drawing from all three earlier films for Mia and not just the first by the end.) Beth and Kassie contribute to the theme of motherhood by contrasting The Deadite Marauder’s antitheme, and if you thought that the Deadites stole the show, that happens a lot actually; it does not make the theme less coherent. I have a lot more intrigue in seeing Beth pop up again than I do for Mia, because she still has that underdog quality that Ash had going from the first film into the second and the second into the third. Also, about half of the female characters in this franchise have been rather underdeveloped; having an archetype for a lead that ties into the central theme while not “outdoing” Ash is a net positive.

 

So, why did I not put it at number one? Though the story is similarly slow and constrained to the first film, I think that the directing style and building of tension is a bit more effective in the original film. Across the first two films, I feel like I have been in that cabin with Ash, feeling the fear in each of those rooms, but the high-rise apartment is just an apartment. Outside of two rooms that get some Deadite encounters, I am more filling in the gaps of what I know apartment buildings to be like than I am experiencing the atmosphere through each room if that makes sense. I don’t know how they could have improved on that, but the creative team restored the Deadites so well, so there is still a chance that Evil Dead Burn could have the edge over the original that this film was missing. There is also a possibility that further rewatches will burn away the trepidation I have for ranking Rise higher; at the very least, it has pretty much everything I would want out of an Evil Dead film.

 

#1

 

The Evil Dead is an earnest classic, and, as I write this, I want to watch it again, in part to make absolutely sure I am describing it accurately and partially just because I think it genuinely works as a film. Though the acting is less than ideal even from Bruce Campbell, the characters have a friendly rapport and chemistry that fills in the gaps of their writing and elevates their pre Deadite scenes. As the first film in this franchise showing off these unique camera angles and creature designs, the film also reads as hungry to prove something. At the same time, I also think Ash would not be as special if he started out his Army of Darkness self. He is a more reserved kid, barely involved in the action, that barely manages to win, still gets possessed at the end of the movie, gets Deadited next film again, can’t even kill his own hand and can barely bring himself to do what has to be done to his friends or self. There’s a genuine tension there in the first film that persists even if you know about the plot armor, and I think that is part of my problem with David in 2013. He carries himself with a swagger throughout the movie, and the plot plays out close enough to the original that even though he dies, you know he’s safe for so long that the film needs Eric to look so close to death for you to care about the proceedings. There is more that I will probably want to say about The Evil Dead, especially after Evil Dead Burn comes out, but I will close with this. Even though I’m not thrilled about the tree thing, I find it kind of funny to pretend that the film is implying that what the tree does to Scotty at the end of the movie is the same thing it did to Cheryl. That clearly wasn’t intended, but it works as a kind of equalizer in my mind, so I’ll take it.


Here are some links to some previous articles about the Evil Dead franchise:

Plan 9 Crunch: All About Cult Films: The Evil Dead – Fun Gorefest Entertainment!


Plan 9 Crunch: All About Cult Films: Evil Dead 2: Dead by Dawn

 

Monday, May 25, 2026

Author Patrick provides compelling anti-hero in superb Mister Boogie




Mister Boogie is a prequel to author Dean Patrick's Terra Drake dark horror trilogy. Hence, it's the first book of the series. It's a compelling tale that fully introduces a character, Rex Brody, from an earlier novel. Brody evolved into an alter ego, Mister Boogie, a superbly fit killing machine.



Dean Patrick is a superb writer, who slowly builds tension through the chapters. His tale is gory, but never exploitative. There are no wasted narrative passages.



Our protagonist, Rex Brody, is a survivor of extreme child abuse. Through discipline and an adult journey to the mixed martial arts pits in Asia, he has turned himself into an incredibly fit, sophisticated killing machine. He is also Mister Boogie, an anti-hero, a mass murderer who kills freely, but often as revenge on ordinary people who commit despicable acts, or against darker opponents of comparable strength.



As Mister Boogie kills, two police detectives try hard to stop him but they're generally one step behind and outmatched.



Mister Boogie crosses paths with dangerous adversaries that lead him on a quest to save his sister, Emma. Early in the book Patrick creates a thrilling battle to the death between our protagonist and two adversaries, one a prolific serial killer.


Patrick's anti-hero also matches his wits and strengths in interaction with demons, including Patrick's character Terra Drake. In his early life, Rex Brody, the eventual Mister Boogie, encountered Terra Drake, who then was assessing his future potential.



Author Dean Patrick has a real talent with writing action/horror and blends his prose with a strong knowledge of music, culture, police work, religion, history and the supernatural. Here is a YouTube promo for the book from publisher TWB Press. Author Dean Patrick's website is here.


-- Doug Gibson 


For reviews of Patrick's books and an interview, go here, here, here and here