The Astounding She Monster -- a curvy cutie!

By Steve D. Stones

What do you get when you combine all the poor qualities of filmmaking, such as bad dialogue, unconvincing special effects, amateur acting, boring long shots that seem to last forever, mismatched stock footage and frequent continuity errors? The result is a film like The Astounding She-Monster. Still, the film has many redeeming cult qualities to recommend it to any cult film fan.

For starters, She Monster was directed by a protégé of Ed Wood named Ronnie Ashcroft. Wood is unaccredited as a “creative consultant” for the film. Ashcroft made a film with all the markings of a Wood film. In fact, if the opening credits were left out, it would be easy to mistake She-Monster for an Ed Wood film. The opening credits even say: “Hollywood International Pictures Presents,” just like the opening of Plan 9 From Outer Space.

The music for the film is by Gunther Kauer. The same music was used for another cult film, The Beast of Yucca Flats. Actor Kenne Duncan, who appeared in Ed Wood’s Night of The Ghouls (AKA Revenge of The Dead), also appears in She Monster. Another Wood regular, William C. Thompson, served as director of photography. These qualities alone make The Astounding She-Monster an immediate cult item.

The film opens with a boring long shot of wealthy socialite Margaret Chaffee, played by Marilyn Harvey, leaving her mansion to drive away in a Cadillac. Chaffee is a wealthy Beverly Hills socialite. As she drives down the street in another boring long shot that lasts forever, she is stopped and kidnapped by Nat Burdell and Brad Conley, played by actors Kenne Duncan and Ewing Brown.

A meteor soon crashes high in the San Gabriel Mountains, bringing with it a sexy space alien in a tight spandex suit, played by Shirley Kilpatrick. Geologist Dick Cutler, played by Robert Clarke, and his dog Egan, witness the meteor crash near Cutler’s cabin.

Burdell and Conley are next seen driving the kidnapped Chaffee to the San Gabriel Mountains. A second woman named Esther Malone, played by actress Jeanne Tatum, appears in the car with them. Malone appears to be drunk. The group is forced off the road by the site of the sexy alien. Why she is called a “She-Monster” in the title of the film is anyone’s guess? She is any thing but frightful. In fact, she is very sexy and beautiful.

The group leaves their car on the road and walks to Cutler’s cabin. Duncan and the group force their way into the cabin and take Cutler as a second hostage.

Conley soon sees the She-Monster starring in the window of the cabin and leaves to investigate. He takes Cutler’s dog Egan with him. He and Egan are attacked and killed by the She-Monster. Burdell goes out looking for him and brings his corpse back to the cabin. The corpse is covered with radium poisoning. Cutler insists on going out to find his dog, but Burdell continues to hold him at gunpoint.

The group finally decides that they must get away from the She-Monster by leaving the mountain in Cutler’s jeep. While driving down the mountain road, the She-Monster blocks their path, forcing them out of the jeep. Burdell is attacked and killed by the She-Monster as he attempts to flee the jeep.

Cutler and Chaffee flee back into the cabin and are met once again by the She-Monster. Cutler throws a bottle of nitric acid on the She-Monster, and she immediately disintegrates. Chaffee notices the She-Monster’s necklace on the cabin floor. Cutler opens the locket to find an important message.

It turns out that the She Monster is an emissary sent by the Council of Planets with a message of peace for the earth. Cutler concludes that the She-Monster only attacked because she was forced to protect herself.

It’s interesting to note that The Astounding She-Monster follows in a long line of alien invasion-themed films that saturated the drive-ins of the 1950s. Hollywood produced many much better films earlier in the decade of a similar theme, such as The Day The Earth Stood Still and The Thing From Another World.

Robert Clarke also starred in The Man From Planet X in 1951, which has a similar theme to The Astounding She-Monster. In Man From Planet X, the alien also attempts to communicate with those who encounter it, but is misunderstood as being an enemy from outer space.

Cult film fans are greatly indebted to Wade Williams for rescuing and buying the copyright of a number of films that would have otherwise been lost or never released on DVD, such as The Astounding She-Monster, Ed Wood’s Night of The Ghouls, The Cosmic Man and Cat Women of The Moon, among many others.

I’m still waiting for a Robert Clarke film festival to come to my town so that I can see Man From Planet X, The Hideous Sun Demon, The Astounding She-Monster, The Incredible Petrified World, Beyond The Time Barrier, Terror of The Blood Hunters and Secret File Hollywood all in one day’s screening. In the meantime I will be satisfied seeing these films on DVD. Watch out for that curvy cutie in a tight spandex outfit!

THE ASTOUNDING SHE-MONSTER: A Curvy Cutie Invades The Earth!

By Steve D. Stones

What do you get when you combine all the poor qualities of filmmaking, such as bad dialogue, unconvincing special effects, amateur acting, boring long shots that seem to last forever, mismatched stock footage and frequent continuity errors? The result is a film like The Astounding She-Monster. Still, the film has many redeeming cult qualities to recommend it to any cult film fan.

For starters, She Monster was directed by a protégé of Ed Wood named Ronnie Ashcroft. Wood is unaccredited as a “creative consultant” for the film. Ashcroft made a film with all the markings of a Wood film. In fact, if the opening credits were left out, it would be easy to mistake She-Monster for an Ed Wood film. The opening credits even say: “Hollywood International Pictures Presents,” just like the opening of Plan 9 From Outer Space.

The music for the film is by Gunther Kauer. The same music was used for another cult film, The Beast of Yucca Flats. Actor Kenne Duncan, who appeared in Ed Wood’s Night of The Ghouls (AKA Revenge of The Dead), also appears in She Monster. Another Wood regular, William C. Thompson, served as director of photography. These qualities alone make The Astounding She-Monster an immediate cult item.

The film opens with a boring long shot of wealthy socialite Margaret Chaffee, played by Marilyn Harvey, leaving her mansion to drive away in a Cadillac. Chaffee is a wealthy Beverly Hills socialite. As she drives down the street in another boring long shot that lasts forever, she is stopped and kidnapped by Nat Burdell and Brad Conley, played by actors Kenne Duncan and Ewing Brown.

A meteor soon crashes high in the San Gabriel Mountains, bringing with it a sexy space alien in a tight spandex suit, played by Shirley Kilpatrick. Geologist Dick Cutler, played by Robert Clarke, and his dog Egan, witness the meteor crash near Cutler’s cabin.

Burdell and Conley are next seen driving the kidnapped Chaffee to the San Gabriel Mountains. A second woman named Esther Malone, played by actress Jeanne Tatum, appears in the car with them. Malone appears to be drunk. The group is forced off the road by the site of the sexy alien. Why she is called a “She-Monster” in the title of the film is anyone’s guess? She is any thing but frightful. In fact, she is very sexy and beautiful.

The group leaves their car on the road and walks to Cutler’s cabin. Duncan and the group force their way into the cabin and take Cutler as a second hostage.

Conley soon sees the She-Monster starring in the window of the cabin and leaves to investigate. He takes Cutler’s dog Egan with him. He and Egan are attacked and killed by the She-Monster. Burdell goes out looking for him and brings his corpse back to the cabin. The corpse is covered with radium poisoning. Cutler insists on going out to find his dog, but Burdell continues to hold him at gunpoint.

The group finally decides that they must get away from the She-Monster by leaving the mountain in Cutler’s jeep. While driving down the mountain road, the She-Monster blocks their path, forcing them out of the jeep. Burdell is attacked and killed by the She-Monster as he attempts to flee the jeep.

Cutler and Chaffee flee back into the cabin and are met once again by the She-Monster. Cutler throws a bottle of nitric acid on the She-Monster, and she immediately disintegrates. Chaffee notices the She-Monster’s necklace on the cabin floor. Cutler opens the locket to find an important message.

It turns out that the She Monster is an emissary sent by the Council of Planets with a message of peace for the earth. Cutler concludes that the She-Monster only attacked because she was forced to protect herself.

It’s interesting to note that The Astounding She-Monster follows in a long line of alien invasion-themed films that saturated the drive-ins of the 1950s. Hollywood produced many much better films earlier in the decade of a similar theme, such as The Day The Earth Stood Still and The Thing From Another World.

Robert Clarke also starred in The Man From Planet X in 1951, which has a similar theme to The Astounding She-Monster. In Man From Planet X, the alien also attempts to communicate with those who encounter it, but is misunderstood as being an enemy from outer space.

Cult film fans are greatly indebted to Wade Williams for rescuing and buying the copyright of a number of films that would have otherwise been lost or never released on DVD, such as The Astounding She-Monster, Ed Wood’s Night of The Ghouls, The Cosmic Man and Cat Women of The Moon, among many others.

I’m still waiting for a Robert Clarke film festival to come to my town so that I can see Man From Planet X, The Hideous Sun Demon, The Astounding She-Monster, The Incredible Petrified World, Beyond The Time Barrier, Terror of The Blood Hunters and Secret File Hollywood all in one day’s screening. In the meantime I will be satisfied seeing these films on DVD. Watch out for that curvy cutie in a tight spandex outfit!

THE HIDEOUS SUN DEMON: Be sure to wear sun tan lotion!

By Steve D. Stones 

I have to admit that The Hideous Sun Demon is my favorite low budget monster movie of the 1950s. I would have loved to see this film on a drive-in movie screen in the late 1950s. It would be even more interesting to have seen it on a double bill with another Robert Clarke film, such as The Man From Planet X, The Astounding She Monster or Beyond The Time Barrier. 

Clarke starred in The Astounding She Monster just a year before he directed and starred in The Hideous Sun Demon. He took some of his profits from She Monster and invested them into this film. In his autobiography “Robert Clarke: To B or Not to B: A Film Actor’s Odyssey,” Clarke mentions that he had a desire to create a film similar to the Robert Louis Stevenson story Dr. Jekyll & Mr. Hyde. He was impressed with Dr. Jekyll & Mr. Hyde while seeing it in a movie theater at the age of 12. 

He wanted to create a film that would have much more substance than The Astounding She Monster. Viewing The Hideous Sun Demon, it is easy to see some of the similarities of the Stevenson classic. 

One major difference is that Clarke’s character, Dr. Gilbert McKenna, is a victim of an atomic experiment gone wrong. Dr. Jekyll willingly conducts experiments on himself to understand the duality of good versus evil in every man’s soul. Plus, Clarke’s character has a conscience of not wanting to kill innocent victims. 

After his transformation of the Sun Demon and back to Dr. McKenna, McKenna expresses a deep regret for his murder victims. In his own mind, he is a victim himself, and has no desire to want to commit murders while he is in the normal state of being Dr. McKenna. While in a transformed state of being the Sun Demon, McKenna cannot control his murderous desires. 

What makes The Hideous Sun Demon so appealing to me is the unique Sun Demon costume worn by Clarke. It is a truly unique and frightful costume. Clarke claims to have paid $500.00 for the costume. Like Dr. Jekyll & Mr. Hyde, Clarke transforms into the Sun Demon while wearing his everyday clothes. Many of the production stills taken for the film show Clarke’s trousers drenched in the front and back. This is because the actor was sweating heavily from the heat of the costume. Nevertheless, it adds uniqueness to the creature and makes it more believable, in my opinion. 

Another unique element of Sun Demon is the timeless theme of beauty and the beast. Clarke cast busty blonde Nan Peterson, star of Louisiana Hussy, as a beautiful nightclub singer that Dr. McKenna becomes infatuated with. McKenna falls in love with her, but he knows his love cannot last because of his condition. After a lustful night on the beach with the girl, McKenna abandons her as the sun comes up to transform him into the Sun Demon. 

There is even a love triangle aspect to The Hideous Sun Demon. Dr. McKenna works in his laboratory with a pretty young brunette named Ann Lansing, played by Patricia Manning. In one particular scene, McKenna hides in the cellar of his basement after returning from a murder spree as the Sun Demon. Lansing confronts him in the cellar. She expresses her concern and care for McKenna, but he rejects her sympathies for him. She goes on to say that she loves McKenna and wants to find help for him.

Perhaps the most touching and sentimental scene of the film is when McKenna once again is confronted in a hiding place, only this time by a five year old girl in a 50s poodle skirt. McKenna is being pursued by local police, and hides in a mill near the little girl’s home. She offers to bring him cookies and decides to be his friend. This is the most touching scene of the film. The little girl rushes home to steal some cookies to give to McKenna. Her mother discovers she is about to take the cookies to McKenna, so she calls the local police. 

McKenna flees the mill and immediately transforms into the Sun Demon. McKenna is chased to the top of a giant gas tank, where he meets his death as a policeman shoots him and he falls to the ground. This scene is not unlike the ending of well-known monster movies, such as Frankenstein and The Phantom of The Opera, in which the local townspeople chase the monster and he meets a violent death, only in this case it’s the local police who chase the monster. 

Some critics suggest that the formula of The Hideous Sun Demon does not work because the Sun Demon can only transform into the monster in the sunlight, unlike other monsters, such as The Wolf Man and Dracula, who lurk in the dark.

I disagree with this assessment of Sun Demon. A monster who lurks in the dark is certainly much more scarier than one which is out in the daylight, but The Hideous Sun Demon is not attempting to surprise or scare the audience in the same way that creatures of the dark are known to do. The Hideous Sun Demon is the result of atomic radiation, so he is a victim of his environment, and not a product of the undead coming back to life, such as a zombie or a vampire. 

He is also not a product of several parts of a corpse being assembled together, such as Frankenstein’s monster, so he is not intended to be a monster of experimentation. This is what makes the Sun Demon a unique creature and interesting film.