The Mad Monster -- George Zucco is a brooding genius maniac

 

The Mad Monster, 77 minutes, Producers Releasing Corporation, B&W. Directed by Sam Newfield. Starring George Zucco as Dr. Lorenzo Cameron, Johnny Downs as Tom Gregory, Anne Nagel as Lenora Cameron, Glenn Strange as Petro/the monster, and Sarah Padden as the grandmother. Schlock-meter rating: 5.5 stars out of 10.

By Doug Gibson

The first time I watched this vintage PRC cheapie, I trashed it and compared it to later dogs like Beast of Yucca Flats and The Creeping Terror. However, during my second viewing I warmed a little to the film. It is, as one reviewer has said, so bad it fascinates. I agree. The plot: Mad scientist Lorenzo Cameron (Zucco), rebuffed by his peers, injects wolf blood into a simpleminded handyman (Strange) turning him into a well-dressed dog/wolf man. Ostensibly, the crazy doc plans to create warriors to defeat the Nazis and other enemies with his injections, but he eventually uses the monster to kill his enemies. The plot, which is recycled pulp, includes a backwoods country swamp setting, a beautiful daughter, her reporter boyfriend, and the cops.

The bottom of the barrel budget hampers Mad Monster, but there are scenes of high camp that are bizarre: The opening sequence involves the mad Zucco injecting Petro in the laboratory with blood from a snarling creature in a cage. During the scene, the doctor hallucinates a debate with his scientist colleagues (who appear as misty personages). I guess low-budget director Newfield was trying to show Zucco is mad, but it seems like he's on an LSD trip. Also, some filter is used to make the country swamp seem dank and foggy, but it just looks like the air is filled with cheesecloth.

The film lags often and should have been trimmed to an hour. There are several scenes where actors, who have nothing to do, sit and wait for the camera to stop rolling. Despite the budget and bad script, Zucco, a veteran of low-grade horrors, does a capable job. PRC starlet Nagel is pretty, and has a voice that is a dead ringer for Judy Garland. Unfortunately her reporter/boyfriend Gregory has a squeaky voice. Strange, who later would play the Frankenstein monster in a few films, is terrible. As the dim-witted Petro, he's a fourth-rate imitation of Lon Chaney Jr's Lenny in Of Mice and Men. In fact, he seems to have a far better personality as the monster. In a small role, Padden is creepy as a cackling backwoods grandma. The film ends, as was often the style 60 years ago, with the young lovers embracing in front of a burning house. It's worth a rental if you like C and B movies from the 30s and 40s.

Man Made Monster - Lon Chaney's tryout with Universal

By Doug Gibson

I'm reading a biography of Lon Chaney Jr., which I plan to review soon, and it prompted me to finally watch the 1941 Universal horror film, "Man Made Monster," starring Chaney in the title role. The film pre-dates "The Wolf Man," which made Chaney an iconic figure in horror cinema. However, "Man Made Monster," a thrifty $85,000 B-effort from Universal, was essentially a try out for Chaney, a look see from Universal executives as to how Chaney Jr. would do in a monster role. He passed the test. The film is a lean, effective little shocker.

Chaney stars as Dan McCormick, a carnival worker who does an act where he survives electrical shocks. It's mostly fake, as he admits with a grin. McCormick is the sole survivor of a horrific bus crash (well-displayed on the screen). His survival interests a pair of scientists, Dr. Paul Lawrence (Samuel Hinds) and Dr. Paul Rigas, (Lionel Atwill). The latter, Rigas is a mad scientist who wants to create a master race of persons charged by electricity. While Lawrence is away, Rigas makes McCormick his guinea pig, injecting him with huge shots of electricity, turning him into a glowing monster while charged, and a drooping, non-responsive near-invalid when the shocks wear off. Also in the cast are Anne Nagel, as Lawrence's niece, and Frank Albertson, as a newspaper reporter. They supply a mild romance as well.

Things hit a climax when Chaney, falsely accused of Lawrence's murder (he killed the good doc while charged and manipulated by Rigas) attains super-monster status when his state-sanctioned electrocution strengthens him rather than kills him. Strangely, this scene is talked about rather than shown.

Chaney is effective as a good-natured common man manipulated into being a killer by a mad scientist. The performance is the beginning of the role he would perfect as Lawrence Talbot the wolf man, although Talbot is more sophisticated. At this point in his career, Chaney often utilized a little of his "Lenny" performance that he had done so well in 1939's "Of Mice and Men." The film is capably directed by George Waggner. The Universal B movies, despite wild plots, tend to be leaner and more disciplined than the C films produced by Monogram and PRC ... Perhaps it's because the writers there were better paid.

The real star of "Man Made Monster" is Lionel Atwill. He is brilliant as a cold-hearted, single-minded, fanatical mad scientist. The role was intended for Boris Karloff but it's fortunate Atwill got it. Karloff would not have been this good. You can watch the 59-minute film here.

The Mad Monster -- low rent Wolf Man!

The Mad Monster, 77 minutes, Producers Releasing Corporation, B&W. Directed by Sam Newfield. Starring George Zucco as Dr. Lorenzo Cameron, Johnny Downs as Tom Gregory, Anne Nagel as Lenora Cameron, Glenn Strange as Petro/the monster, and Sarah Padden as the grandmother. Schlock-meter rating: Five stars out of 10.

By Doug Gibson

The first time I watched this vintage PRC cheapie, I trashed it and compared it to later dogs like Beast of Yucca Flats and The Creeping Terror. However, during my second viewing I warmed a little to the film. It is, as one reviewer has said, so bad it fascinates. I agree. The plot: Mad scientist Lorenzo Cameron (Zucco), rebuffed by his peers, injects wolf blood into a simpleminded handyman (Strange) turning him into a well-dressed dog/wolf man. Ostensibly, the crazy doc plans to create warriors to defeat the Nazis and other enemies with his injections, but he eventually uses the monster to kill his enemies. The plot, which is recycled pulp, includes a backwoods country swamp setting, a beautiful daughter, her reporter boyfriend, and the cops.

The bottom of the barrel budget hampers Mad Monster, but there are scenes of high camp that are bizarre: The opening sequence involves the mad Zucco injecting Petro in the laboratory with blood from a snarling creature in a cage. During the scene, the doctor hallucinates a debate with his scientist colleagues (who appear as misty personages). I guess low-budget director Newfield was trying to show Zucco is mad, but it seems like he's on an LSD trip. Also, some filter is used to make the country swamp seem dank and foggy, but it just looks like the air is filled with cheesecloth.

The film lags often and should have been trimmed to an hour. There are several scenes where actors, who have nothing to do, sit and wait for the camera to stop rolling. Despite the budget and bad script, Zucco, a veteran of low-grade horrors, does a capable job. PRC starlet Nagel is pretty, and has a voice that is a dead ringer for Judy Garland. Unfortunately her reporter/boyfriend Gregory has a squeaky voice. Strange, who later would play the Frankenstein monster in a few films, is terrible. As the dim-witted Petro, he's a fourth-rate imitation of Lon Chaney Jr's Lenny in Of Mice and Men. In fact, he seems to have a far better personality as the monster. In a small role, Padden is creepy as a cackling backwoods grandma. The film ends, as was often the style 60 years ago, with the young lovers embracing in front of a burning house. It's worth a rental if you like C and B movies from the 30s and 40s.