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Showing posts with label Aline MacMahon. Show all posts
Showing posts with label Aline MacMahon. Show all posts

Monday, August 10, 2026

Heat Lightning is one damn good pre-code melodrama

 


I must confess, I absolutely love watching early 1930s pre-code films on Turner Classic Movies. "Heat Lightning," 1934, is one of my favorites. These films could be rated PG or even G today but it's the adult dramas and themes in the films that panicked the short pants of the old-maid prudes of the Hays Commission way back then. And Heat Lightning was Aline MacMahon's first starring role. MacMahon was a great actress; heck, she'd be a big star in this era.


I am going to post a couple of 1934 reviews below. I know they are tough to read. I will then offer a brief review from me and add a couple more newspaper clips to go with the one above. Plan9Crunch thanks David Grudt of Long Beach, Calif., for digging through Newspaper Archives to find these old press gems.






OK, McMahon and co-star Ann Dvorak are Olga and Myra, sisters running a gas station on the old road through the hottest part of California (I always think near Baker, Calif.) but town is unnamed. At their station 110 degrees is a cool day. Olga is the protective older sister whose lived a lot. She won't let younger Myra go to a dance because she thinks young sister's boyfriend Steve is a bad guy.


A whole host of wonderful vintage stars are in the film. Jane Darwell and Edgar Kennedy are wonderfully comic as an old couple who stop by the station for a car repair. (Olga is also a mechanic.)

 

Two rich divorcees (Glenda Farrell and Ruth Donnelly) breeze in to spend the night in rooms the station lets. They're with a world-weary chauffer (Frank McHugh). An impoverished Mexican family stays the night in their vehicle and sings at night. An old man called "Popsy" is traveling with two "cutie-pies" he picked up. The sheriff occasionally shows up.


Tension mounts when two men, George (Preston Foster) and Jeff (Lyle Talbot) stop for the night. It turns out George is a former boyfriend of Olga's (from her old days). The pair are actually robbers who have killed a man in Salt Lake City. They're heading for the border but George, despite a nervous Jeff, is determined to first steal the jewels the rich divorcees have placed in the station's safe.


I won't say any more about the plot's resolution, but I'll list the pre-code elements, and why the silly Catholic Legion of decency panned the film.


-- In one scene, one of the "cutie pies" (Muriel Evans) tells her friend, "Say, it's your turn to sit up front with that old thigh-pincher."


-- Divorcee played by Glenda Farrell is forced to take a bath outside. Her chauffer (Frank McHugh), a married man, keeps guard and later they are a couple.


-- Despite her reservations and distrust of George, Olga spends the night with him. George is seen leaving her room early in the morning.


-- Although it's only barely implied, younger sister Myra, who sneaks out to the dance with boyfriend Steve, is treated coldly by him when he returns her home; this despite her obvious affection. Her sobbing afterwards with Olga hints that she was seduced.


-- The resolution, not to be told here, has violence and a nontraditional opinion on crime punishment.


This is a melodrama with stereotypes, but it has that Warner Bros/First National heart, with all the great actors of that era. Preston Foster and Aline MacMahon generate attraction despite the latter's wish not to feel it.


This film pops up on TCM a few times a year. Enjoy a couple more clips below.


-- Doug Gibson





Monday, April 13, 2015

Big Hearted Herbert is Guy Kibbee at his most grouchy



By Doug Gibson

"Big Hearted Herbert," 1934 black and white, directed by William Keighly, produced by Warner Brothers and released by Warner Brothers The Vitaphone Corp., 59 minutes. Starring Guy Kibbee as Herbert Kalness, Aline MacMahon as Elizabeth Kalness, Patricia Ellis as Alice Kalness and Phillip Reed as Andrew Goodrich. Schlock-meter rating: 6.5 out of 10,

I love Guy Kibbee movies; the man was made to play the middle-aged business man of the 1930s with a lot of bluster in sight and tenderness hidden; he stars in the only surviving film version of Sinclair Lewis’ homage to the conformist businessman, “Babbitt.” Often playing his wife in his Warner Brothers/Vitaphone films of the 1930s is Aline MacMahon,a  tall, angular actress who seems to get more attractive as the film goes on; she was often the ying to Kibbee’s yang.

“Big Hearted Herbert,” which I first watched thanks to Turner Classic Movies, is not the best programmer that Kibbee made with MacMahon, but it’s a perfect example of the domestic comedies that Kibbee could so effortlessly perform 80 years ago. He stars as Herbert Kalness, grouchy, long-winded successful plumbing supplies business who grouses constantly to his wife, Elizabeth, played by MacMahon, and three kids, Alice, Robert and Junior. Herbert practically worships a dour family photo of his late father that hangs, saint like, in the family home.

It’s obvious Elizabeth loves Herbert, because she has the patience of a saint with her husband, who is so worn out and stressed from hard work and success that he constantly erupts into self-pitying rants at the dinner table about the laziness of his kids, the ungratefulness of the family, the uselessness of a college education and social airs, the importance of hard work and plain living, and so on; he just snaps at everybody. Kibbee is a little more crabby than fussy in this film; he’s rarely been this ill-tempered, but his screen presence, which is geared toward audiences softening at his round countenance, makes it hard to hate him.

Herbert, though, really becomes a burden to his family when he loudly asserts to Junior that he will not go to college, but rather enter the family business and work 10 hours a day like Herbert did. He also erupts at the announcement that daughter Alice is engaged to college man (Harvard no less!) Andrew Goodrich, future lawyer. 

At a dinner with his future in laws, Herbert puts his grouch-mode into overdose, insulting and upsetting everyone. 
At this point, MacMahon’s wife Elizabeth has had enough and arranges a come-uppence for her crabby husband. That occurs when Herbert arranges a dinner party with the family with some of prized business customers. The final act of the film is the most amusing as MacMahon shines as much as, if even more, than Kibbee, who has quite a transformation from the constant grouch character he’s played the first two acts. What happens is that wife Alice arranges the dinner to be as old-fashioned and rustic as Herbert claims his own past life was.

But it’s all in fun, and this is at heart a pleasant, light-hearted domestic comedy; despite Kibbee’s there never any real suspense that things won’t turn out OK in the end.

Today, most remember Kibbee as Governor "Hoppy" in Frank Capra's "Mr. Smith Goes to Washington," but some of his best work includes the aforementioned "Babbitt" and the comedic satire "The Dark Horse,' where he plays a simpleton recruited for higher office, pre-dating Peter Sellers in "Being There" by more than 40 years. You can watch a great 3 minute trailer of Big Hearted Herbert at http://www.tcm.com/mediaroom/video/139082/Big-Hearted-Herbert-Original-Trailer-.html