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Showing posts with label Troma. Show all posts
Showing posts with label Troma. Show all posts

Saturday, May 9, 2015

An ironic 'Mother's Day' post from Plan9Crunch

By Steve D. Stones
"The hand that rocks the cradle is the hand that rules the world."
-William Ross Wallace

Movies don’t get much more graphic in violent content than Mother’s Day, unless you’re watching Henry-Portrait of A Serial Killer or the original Last House On The Left. The title of the film might suggest that this is some fluffy, sentimental chick flick dedicated to all mothers on Mother’s Day. It isn’t. The film is a full-blown exploitation, horror story. I would not recommend that any self-respecting mother watch this film because of the extreme violence, particularly against women.

Mother’s Day was directed, produced and written by Charles Kaufman, brother of Lloyd Kaufman of Troma films. Only the sick minds at Troma could come up with a film like Mother’s Day, which would be a compliment to the folks at Troma. Troma is responsible for such cult classic(k)s as: The Toxic Avenger, Class of Nuke ‘Em High, Surf Nazis Must Die and Redneck Zombies. The Kaufman brothers cast their mother in the roll of mama. Their sister, Susan Kaufman, served as production designer. It appears that Mother’s Day is indeed a family affair, no pun intended.

Three women named Abbey, Jackie and Trina get together for a reunion. The three were college roommates at Wolfbreath College in the 1970s. They travel to the Deep Barrens camp area in New Jersey and camp next to a beautiful lake.

The next morning, two hillbilly brothers named Ike and Addley witness the girls skinny-dipping in the lake. Apparently their mother named them after two 1950s politicians – Eisenhower and Stevenson. That night the boys attack the girls, tie them inside their sleeping bags and drag them back to their backwoods home. The girls are tied to some exercise equipment in an upstairs room.

Jackie is later dragged out of the room and forced to act out scenes from movies with the two brothers as their mother watches. Jackie refuses to participate, so she is raped and beaten by one of the boys, then stuffed in a dresser drawer.

Abby and Trina are able to escape and find Jackie in the dresser. Jackie is unable to walk, so the two girls quietly carry her out of the house and back into the woods. Abbey decides to stay and watch over Jackie while Trina goes for help. While Trina is gone, Jackie dies. Trina returns after finding their car inoperative. The two girls decide to avenge Jackie’s death by returning to the house to kill the mother and her two boys.

One of the boys is stabbed in the neck with a TV antenna and clawed in his groin with a hammer. The other boy has drain cleaner poured down his throat and a TV set bashed over his head. Mama is smothered to death with a plastic pillow in the shape of large breasts.

Despite the extreme graphic violence and low budget, there is not much to fault with in Mother’s Day. The acting is well above average and the plot is direct and easy to follow. Even to this day, Mother’s Day remains in the top 100 highest grossing independent films of all time. That says something about the film, good or bad.

This Mother’s Day, keep your mother away from a film like Mother’s Day. She deserves a nice bouquet of flowers, a bottle of perfume and a nice greeting card. After all, she’s earned it. She’s your mother. Happy Mother’s Day to all the mothers out there!!

Wednesday, December 11, 2013

Christmas Evil -- not your father's Santa Claus

By Steve D. Stones

The title Christmas Evil is not a judgment on Christmas itself, but more of an analysis of the main character Harry Stadling who witnesses his mother making out with Santa on Christmas Eve in 1947. Apparently even Santa can’t resist curvaceous cuties, even on Christmas Eve. Harry grows up to work in a toy factory and becomes obsessed with all things Christmas. His obsession is an attempt to keep the spirit of Christmas alive in his heart, despite his mother shattering his image of Christmas as a young boy.

Harry takes his job seriously at Jolly Dream Toy Company. He works hard to perfect quality toys manufactured by the company. Although he is promoted as a supervisor at the company, his dedication leads him to clock in overtime on the assembly line for a worker who calls in sick. He wants to make sure the company makes their toy quota just in time for Christmas. After his overtime shift, he sees the man whose shift he covered drinking at a local bar. This greatly upsets him.

In his spare time, Harry spies on local children and their parents and keeps a record book of naughty and nice children, just like the real Santa would. In his own mind, he is Santa Claus. He witnesses one male child looking at an issue of Penthouse magazine, and writes him up in his naughty book.

Deep down, Harry is a sexually repressed and emotionally unstable middle-aged man who cannot connect well with other human beings, living a life of isolation and depravity. His family members even begin to worry about him. He uses the character of Santa Claus as a way to try and connect with others, but his obsession leads him to murder adults on Christmas Eve. He transforms himself into Santa, and shows up at parties to give children gifts. He even climbs down chimneys while covering his Santa costume in chimney dust.

Harry stabs three worshippers leaving a church service after they tease him about being dressed in a Santa suit. In a scene reminiscent of the classic 1931 Frankenstein with Boris Karloff, locals take up torches and chase after Harry when they learn he is responsible for a number of local murders.

Christmas Evil was marketed under two other titles when it was released in 1980. It also appeared as Terror In Toyland and You Better Watch Out! The folks at Troma Studios sell a print of the film as Christmas Evil. Brentwood Home Video also released Christmas Evil in a four pack DVD set in 2001 with three other horror classics – House On The Edge of The Park, Messiah of Evil, and Deep Red – The Hatchet Murders. The former title is a film directed by Italian suspense master Dario Argento.

In comparison to other Christmas horror films, Christmas Evil is relatively well made and develops an interesting story line. Those who feel the subject of Christmas and Santa to be too sacred need not view this film. Other films in this genre include – Black Christmas (1974), Silent Night, Deadly Night (1984), Santa Claws (1996), and Silent Night, Bloody Night (1972) among many others.

Happy Holiday Season to you and Happy Viewing!





Sunday, December 16, 2012

Christmas Evil – Ol’ Saint Nick Is Not So Jolly After All

By Steve D. Stones

The title Christmas Evil is not a judgment on Christmas itself, but more of an analysis of the main character Harry Stadling who witnesses his mother making out with Santa on Christmas Eve in 1947. Apparently even Santa can’t resist curvaceous cuties, even on Christmas Eve. Harry grows up to work in a toy factory and becomes obsessed with all things Christmas. His obsession is an attempt to keep the spirit of Christmas alive in his heart, despite his mother shattering his image of Christmas as a young boy.

Harry takes his job seriously at Jolly Dream Toy Company. He works hard to perfect quality toys manufactured by the company. Although he is promoted as a supervisor at the company, his dedication leads him to clock in overtime on the assembly line for a worker who calls in sick. He wants to make sure the company makes their toy quota just in time for Christmas. After his overtime shift, he sees the man whose shift he covered drinking at a local bar. This greatly upsets him.

In his spare time, Harry spies on local children and their parents and keeps a record book of naughty and nice children, just like the real Santa would. In his own mind, he is Santa Claus. He witnesses one male child looking at an issue of Penthouse magazine, and writes him up in his naughty book.

Deep down, Harry is a sexually repressed and emotionally unstable middle-aged man who cannot connect well with other human beings, living a life of isolation and depravity. His family members even begin to worry about him. He uses the character of Santa Claus as a way to try and connect with others, but his obsession leads him to murder adults on Christmas Eve. He transforms himself into Santa, and shows up at parties to give children gifts. He even climbs down chimneys while covering his Santa costume in chimney dust.

Harry stabs three worshippers leaving a church service after they tease him about being dressed in a Santa suit. In a scene reminiscent of the classic 1931 Frankenstein with Boris Karloff, locals take up torches and chase after Harry when they learn he is responsible for a number of local murders.

Christmas Evil was marketed under two other titles when it was released in 1980. It also appeared as Terror In Toyland and You Better Watch Out! The folks at Troma Studios sell a print of the film as Christmas Evil. Brentwood Home Video also released Christmas Evil in a four pack DVD set in 2001 with three other horror classics – House On The Edge of The Park, Messiah of Evil, and Deep Red – The Hatchet Murders. The former title is a film directed by Italian suspense master Dario Argento.

In comparison to other Christmas horror films, Christmas Evil is relatively well made and develops an interesting story line. Those who feel the subject of Christmas and Santa to be too sacred need not view this film. Other films in this genre include – Black Christmas (1974), Silent Night, Deadly Night (1984), Santa Claws (1996), and Silent Night, Bloody Night (1972) among many others.

Happy Holiday Season to you and Happy Viewing!