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Showing posts with label John Carpenter. Show all posts
Showing posts with label John Carpenter. Show all posts

Saturday, October 28, 2023

Halloween III – Season of The Witch: An overlooked Halloween movie

 



I have a confession to make. Like many film critics in 1982, I did not understand or take a liking to Halloween III – Season of The Witch the first time I viewed the film. As the decades have rolled on, I have developed a greater appreciation for the film with multiple viewings. The film is not considered canon in the Halloween series because Michael Myers is nowhere to be found in the film. Director John Carpenter and producer Debra Hill agreed to participate in the film only if it was not going to be a direct sequel to Halloween II. Carpenter's chilling music adds some greater credit to this often overlooked horror film.


It's Saturday October 23rd – eight days before Halloween. A tall middle-aged man named Harry Grimbridge, who runs a costume shop business, is being chased by a car in the opening of the film. He appears to be out of breath as he runs with a pumpkin mask tucked in his pants. He finds his way in the pouring rain to a gas station where he tells the station attendant “they're coming!” The gas station attendant takes the man to a local hospital. The man is treated by Dr. Daniel Challis, played by Tom Atkins. Challis is in the middle of a break up with his wife and is never home due to the demands of his job.


Grimbridge is later killed in his hospital bed by a man dressed in a suit. His eye sockets and skull are crushed. Dr. Challis follows the man in the suit out to the hospital parking lot as the man drenches himself with gasoline in his car and sets himself on fire. Grimbridge's daughter Ellie, played by Stacey Nelkin, arrives the following morning to identify the body of her father. Ellie finds Challis in a bar and asks for his assistance in uncovering the motif behind her father's death.




Challis and Ellie travel to a small Irish community named Santa Mira, where Silver Shamrock Novelities manufactures Halloween masks. Ellie's father had picked up some masks from Silver Shamrock a few days before his murder. When the couple arrive, they discover the entire town to be under heavy video surveillance and a strict 6pm curfew. The two uncover a plot by the Silver Shamrock owner Conal Cochran (Dan O'Herlihy) to use the masks in an ancient Celtic ritual involving a stolen boulder from Stonehenge and a triggering device inside Silver Shamrock masks to kill children when a commercial airs on TV.


Although Michael Myers is never seen, the film still has a number of brutal killings. A homeless man has his head torn off by one of Cochran's robot henchmen. Dr. Challis' lab assistant is killed with a drill in the head by another robot henchman. A child wearing a Silver Shamrock mask watches a TV commercial as his head cracks open to reveal snakes, worms and cockroaches. A business woman in a motel has her head explode from the chip placed in a Silver Shamrock mask.


Halloween III suggests that Cochran's desire to kill millions of children is like a harvest sacrifice during samhain to help provide greater crops during the next harvest season. Children being glued to their televisions as Silver Shamrock commercials air is a metaphor for the consumerist attitudes of Americans being controlled and influenced by messages we see and hear on TV.




In a recent social media post I saw about the 41st anniversary of Halloween III, many comments were offered about the film in the comments section. Most of the comments were negative reviews of the film. Some of the negative comments were directed at Dr. Challis, who jumps into bed with Ellie, a woman 20 years younger, and Challis abandons his wife and children in the film. Other comments suggested that the film has bad acting.


The main reason that many critics may not like Halloween III is because of the obvious reason – the absence of Michael Myers. In Halloween III, the solution to the mass killings is very simple – remove the Silver Shamrock mask and live. In any Halloween movie with Michael Myers, the solution is not that simple. Myers is a killing machine who stops at nothing to murder his victims. The problem is not solved simply by removing a mask. Even when Myers appears to be wounded or killed, he still gets back up and goes after his victims. The viewer never really feels this kind of horror and doom in Halloween III.


If you consider Halloween III – Season of The Witch as a stand alone film that has nothing to do with Michael Myers, you may still find it entertaining and worth your time. If you are looking for a film which connects well with the Michael Myers story, you may want to skip Halloween III and see Halloween IV instead. Happy Halloween and happy viewing.

 

Steve D. Stones

Thursday, October 29, 2015

'Halloween' 1978, still the best Halloween horror film



By Steve D. Stones

John Carpenter’s classic 1978 film – Halloween is the standard by which every schlocky slasher film that followed aspired to be but failed miserably. It manages to scare the pants right off you without showing one drop of blood. Author Stephen King once said that the best killers in horror are the ones who give us no explanation for their killing. Michael Meyers fits this description well. He is a killing machine who will stop at nothing to kill. The viewer is never given any specific reason for Meyers’ desire to kill, making him all the more effective and Halloween all the more scary.

Lori Strode, played by 19 year old Jamie Lee Curtis, is more interested in hitting the books after school than hitting on boys. Her friends tease her about studying too much and not chasing boys. Her friend Annie, played by Nancy Loomis, tries to set Lori up with a boy at school she has a crush on. Both girls are babysitting on Halloween night when a psychotic killer, Michael Meyers, escapes from an Illinois State mental institution and comes to their town. Meyers stabbed to death his teenage sister some fifteen years earlier in 1963. He returns to the scene of the crime in Haddonfield, Illinois on the night of Halloween 1978.


Carpenter successfully creates impending fear in the viewer by never fully showing Meyer’s face. He relies greatly on shots that show Meyer’s shoulder in the frame of a shot, or by showing his silhouette in dark, shadowy environments.  Other shots show Meyers stepping briefly into the shot, only to be quickly consumed by shadows in the background. This is effective and creepy film-making, worthy of techniques used in the silent German-Expressionist masterpiece – The Cabinet of Dr. Caligari.


I respect the Rob Zombie 2007 remake-homage to Halloween, but it is not nearly the classic of Carpenter’s 1978 film. Zombie spends too much screen time giving us a back story of how Meyers evolved into a killer and his obsession with creating masks in his mental institution cell. Like many children in 1983 who saw Return of The Jedi, I was greatly disappointed to see the man behind Darth Vader’s mask at the end when Luke Skywalker reveals his identity. I feel the same with Michael Meyers. Meyers is much more evil and mysterious when the viewer is not aware of his past and what he looks like behind the mask. I really don’t care why he kills, or what motivates him to kill. The fear a viewer experiences in Halloween is better felt by not knowing his identity.


One ridiculous criticism that Halloween received when it premiered in 1978 is that Carpenter was trying to make a moral statement about pre-marital sex and teenagers, since some of the victims killed by Meyers are teenagers having sex on Halloween night. Lori Strode, the smart girl who avoids boys and refuses to engage in sex, is the person who survives Meyers’ attacks. Carpenter’s town of Haddonfield, Illinois is not a town like Andy of Mayberry. This critique is complete nonsense. Carpenter actually adds a great sense of realism to his film by showing teenagers being sexually active. Is it safe to say that many teenagers do get together on Halloween night and engage in sexual
activity? I think it is safe to say that they do, therefore Carpenter shows us a side of Middle America teens that is accurate.


Carpenter was smart not to get involved in any of the sequels to Halloween, at least in terms of directing them. Halloween II picks up where the first Halloween film ends, but it is a disappointing effort mostly because it takes place in a dimly lit hospital. Halloween III blacklists the Meyers character and instead concerns a plot to kill children with rigged Halloween masks.


This Halloween Season, enjoy a great classic by viewing John Carpenter’s 1978 classic – Halloween. You might get your pants scared off you, but you won’t be disappointed. Happy Viewing!!


Friday, October 25, 2013

Our annual seasonal salute to John Carpenter's 'Halloween'



By Steve D. Stones

John Carpenter’s classic 1978 film – Halloween is the standard by which every schlocky slasher film that followed aspired to be but failed miserably. It manages to scare the pants right off you without showing one drop of blood. Author Stephen King once said that the best killers in horror are the ones who give us no explanation for their killing. Michael Meyers fits this description well. He is a killing machine who will stop at nothing to kill. The viewer is never given any specific reason for Meyers’ desire to kill, making him all the more effective and Halloween all the more scary.

Lori Strode, played by 19 year old Jamie Lee Curtis, is more interested in hitting the books after school than hitting on boys. Her friends tease her about studying too much and not chasing boys. Her friend Annie, played by Nancy Loomis, tries to set Lori up with a boy at school she has a crush on. Both girls are babysitting on Halloween night when a psychotic killer, Michael Meyers, escapes from an Illinois State mental institution and comes to their town. Meyers stabbed to death his teenage sister some fifteen years earlier in 1963. He returns to the scene of the crime in Haddonfield, Illinois on the night of Halloween 1978.

Carpenter successfully creates impending fear in the viewer by never fully showing Meyer’s face. He relies greatly on shots that show Meyer’s shoulder in the frame of a shot, or by showing his silhouette in dark, shadowy environments.  Other shots show Meyers stepping briefly into the shot, only to be quickly consumed by shadows in the background. This is effective and creepy film-making, worthy of techniques used in the silent German-Expressionist masterpiece – The Cabinet of Dr. Caligari.

I respect the Rob Zombie 2007 remake-homage to Halloween, but it is not nearly the classic of Carpenter’s 1978 film. Zombie spends too much screen time giving us a back story of how Meyers evolved into a killer and his obsession with creating masks in his mental institution cell. Like many children in 1983 who saw Return of The Jedi, I was greatly disappointed to see the man behind Darth Vader’s mask at the end when Luke Skywalker reveals his identity. I feel the same with Michael Meyers. Meyers is much more evil and mysterious when the viewer is not aware of his past and what he looks like behind the mask. I really don’t care why he kills, or what motivates him to kill. The fear a viewer experiences in Halloween is better felt by not knowing his identity.

One ridiculous criticism that Halloween received when it premiered in 1978 is that Carpenter was trying to make a moral statement about pre-marital sex and teenagers, since some of the victims killed by Meyers are teenagers having sex on Halloween night. Lori Strode, the smart girl who avoids boys and refuses to engage in sex, is the person who survives Meyers’ attacks. Carpenter’s town of Haddonfield, Illinois is not a town like Andy of Mayberry. This critique is complete nonsense. Carpenter actually adds a great sense of realism to his film by showing teenagers being sexually active. Is it safe to say that many teenagers do get together on Halloween night and engage in sexual activity? I think it is safe to say that they do, therefore Carpenter shows us a side of Middle America teens that is accurate.

Carpenter was smart not to get involved in any of the sequels to Halloween, at least in terms of directing them. Halloween II picks up where the first Halloween film ends, but it is a disappointing effort mostly because it takes place in a dimly lit hospital. Halloween III blacklists the Meyers character and instead concerns a plot to kill children with rigged Halloween masks.

This Halloween Season, enjoy a great classic by viewing John Carpenter’s 1978 classic – Halloween. You might get your pants scared off you, but you won’t be disappointed. Happy Viewing!!

Monday, October 15, 2012

Halloween (1978) – Classic Horror At Its Best!



By Steve D. Stones

John Carpenter’s classic 1978 film – Halloween is the standard by which every schlocky slasher film that followed aspired to be but failed miserably. It manages to scare the pants right off you without showing one drop of blood. Author Stephen King once said that the best killers in horror are the ones who give us no explanation for their killing. Michael Meyers fits this description well. He is a killing machine who will stop at nothing to kill. The viewer is never given any specific reason for Meyers’ desire to kill, making him all the more effective and Halloween all the more scary.

Lori Strode, played by 19 year old Jamie Lee Curtis, is more interested in hitting the books after school than hitting on boys. Her friends tease her about studying too much and not chasing boys. Her friend Annie, played by Nancy Loomis, tries to set Lori up with a boy at school she has a crush on. Both girls are babysitting on Halloween night when a psychotic killer, Michael Meyers, escapes from an Illinois State mental institution and comes to their town. Meyers stabbed to death his teenage sister some fifteen years earlier in 1963. He returns to the scene of the crime in Haddonfield, Illinois on the night of Halloween 1978.

Carpenter successfully creates impending fear in the viewer by never fully showing Meyer’s face. He relies greatly on shots that show Meyer’s shoulder in the frame of a shot, or by showing his silhouette in dark, shadowy environments.  Other shots show Meyers stepping briefly into the shot, only to be quickly consumed by shadows in the background. This is effective and creepy film-making, worthy of techniques used in the silent German-Expressionist masterpiece – The Cabinet of Dr. Caligari.

I respect the Rob Zombie 2007 remake-homage to Halloween, but it is not nearly the classic of Carpenter’s 1978 film. Zombie spends too much screen time giving us a back story of how Meyers evolved into a killer and his obsession with creating masks in his mental institution cell. Like many children in 1983 who saw Return of The Jedi, I was greatly disappointed to see the man behind Darth Vader’s mask at the end when Luke Skywalker reveals his identity. I feel the same with Michael Meyers. Meyers is much more evil and mysterious when the viewer is not aware of his past and what he looks like behind the mask. I really don’t care why he kills, or what motivates him to kill. The fear a viewer experiences in Halloween is better felt by not knowing his identity.

One ridiculous criticism that Halloween received when it premiered in 1978 is that Carpenter was trying to make a moral statement about pre-marital sex and teenagers, since some of the victims killed by Meyers are teenagers having sex on Halloween night. Lori Strode, the smart girl who avoids boys and refuses to engage in sex, is the person who survives Meyers’ attacks. Carpenter’s town of Haddonfield, Illinois is not a town like Andy of Mayberry. This critique is complete nonsense. Carpenter actually adds a great sense of realism to his film by showing teenagers being sexually active. Is it safe to say that many teenagers do get together on Halloween night and engage in sexual activity? I think it is safe to say that they do, therefore Carpenter shows us a side of Middle America teens that is accurate.

Carpenter was smart not to get involved in any of the sequels to Halloween, at least in terms of directing them. Halloween II picks up where the first Halloween film ends, but it is a disappointing effort mostly because it takes place in a dimly lit hospital. Halloween III blacklists the Meyers character and instead concerns a plot to kill children with rigged Halloween masks.

This Halloween Season, enjoy a great classic by viewing John Carpenter’s 1978 classic – Halloween. You might get your pants scared off you, but you won’t be disappointed. Happy Viewing!!