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Showing posts with label Godzilla Day. Show all posts
Showing posts with label Godzilla Day. Show all posts

Sunday, September 27, 2026

Godzilla Kaiju Popularity Overview And The New Monster General Election

 

By Joe Gibson

 

Recently on our YouTube page, I ranked the kaiju in Johnny Sokko And His Flying Robot (Ranking The Kaiju, Robots And Seijin In Johnny Sokko And His Flying Robot)as I had done for the Gamera series a while ago. For a little while now, I have been planning on ranking the Godzilla series kaiju, but since Godzilla as an IP has an extraordinary amount of kaiju compared to Gamera, Kong, Giant Robo, or one season of Ultraman even put together, I knew I would have to approach it in a different way. I realized I would be better off grouping the kaiju in subdivisions for the rankings based on more objective metrics.

 

But I had other projects I wanted to work on first. Toho, in some ways, has forced my hand with the New Monster General Election that already has the fanbase in a state of frenzy. If you are unaware, for the past few years, every Godzilla Day (November 3rd) Toho has released a tokusatsu short featuring refurbished suits and puppets usually including a kaiju battle. I have loved watching these, and others in the fandom share this sentiment. The original wave of these reached their climax with the Godzilla from Final Wars teaming up with a Jet Jaguar with Gigan claws to defeat the King Ghidorah from GMK, and that series is no longer available on YouTube, but the relaunch started with a refurbished Godzilla 2000 suit rampaging and attaining a Burning form. That video is still up, and the ending teased that another monster would arrive through the smoke and fog to fight Godzilla next (now this) year. 

 

Monster X, a Ghidorah variant from Godzilla Final Wars (2004), has been confirmed to be the first opponent for Burning G2K, but Toho has more ambitious plans for next year’s short. The New Monster General Election features eight sketches of monsters that the general public can vote on, and the winner will fight Godzilla. It is still technically unclear if next year’s short will be live action tokusatsu in this new series or something akin to Gemstone’s animated specials Godzilla vs Gigan Rex and Godzilla vs Megalon, but I really want these new designs immortalized in suitmation.

 

 

With this new marketing campaign from Toho, the Godzilla fanbase is excited but puzzled. I have heard wild speculation that Toho’s larger plans for these new eight kaiju to appear in a new Ultraman style show no matter who wins the election, and furthermore the topic on everybody’s mind is that somehow the winner will get an immediate boost to the top of franchise importance, rising to place alongside the Big Five (Godzilla, Mothra, Ghidorah, Mechagodzilla, and Rodan) in Toho’s in-house productions. I find that part, at least, unlikely, but it serves as a fair segue into my approach for ranking the Godzilla series. This article will explore the concept of Toho’s Big Five and beyond as well as the limitations of such a schema to more effectively introduce these new eight upstarts.

 

Last year, I tried to use Toho’s Big Five to frame discussion of Gamera’s costars (https://planninecrunch.blogspot.com/2025/09/who-are-big-five-kaiju-in-gamera.html). I was able to mostly map a one-to-one comparison, but the entire premise needed some disclaimers that I should reproduce here. Ostensibly, the objective measure for the Big Five is box office appeals in Toho’s filmography. This was purposeful and helped return on investment in the Heisei and Millennium films after the films with new kaiju underperformed. Consequently, it resulted in a larger market share in popular culture, which translated into numerous mainline appearances, merchandise, other ancillary media and outside references in pop culture. As I explained, that means that it is really a Big 7 that adds in Kong and a child for Godzilla (which meant that I could include Daimajin and nonspecific baby kaiju for Gamera’s Big 5 but actually 7), but the current anthology approach to kaiju storytelling in the East means that the Reiwa Era is not likely to have a Big 5 that actually interacts with each other. Furthermore, the box office disappointment of Godzilla King of The Monsters and extenuating Covid circumstances of Godzilla vs Kong means that, by box office, the Monsterverse box office positions Godzilla, Kong, Mothra and nebulous swappable villainous doppelganger (Mechagodzilla, Skar King, Shimo, Spacegodzilla) as its Big Four.

 

The Big Five as a concept only really made sense in the decade between Godzilla: Final Wars and Godzilla 2014. That is the only time in history that those 5 uniquely were set aside for their “prophesied importance.” When the original films were coming out in the 60s and 70s, there certainly was a drive to revisit Rodan, Mothra, Ghidorah and Mechagodzilla in Godzilla sequels, but Gigan also got an immediate follow-up, as was also initially planned for King Kong and Hedorah. The Heisei series only relied on Ghidorah, Mothra and eventually Mechagodzilla and Rodan when Toho lost money introducing new kaiju, and Anguirus almost made it into what eventually became Godzilla vs Destoroyah while a different son of Godzilla than Minya also existed. The Millennium series, as the third time for Mothra, Ghidorah, Mechagodzilla and Rodan, finally set the pattern that The Big Five were the only Godzilla kaiju to reappear in every era (even if Mechagodzilla and King Ghidorah were excised to elseworlds continuities from each other). With Godzilla Final Wars as the end of the franchise and Godzilla 2014 a surprising new beginning, that 10 years codified the Big Five as a group that we expected to see in any sequels to G14. The issue is that announcing Godzilla vs Kong kind of screwed with things on that front as Kong has always had more marquee value than the other four of the Big Five, and his remakes, though divorced from Godzilla, also mapped closely enough on to the Showa, Heisei and Millennium Series. 

 

 

Secondly, you may also notice that the order of that Big Five kept changing, pushing Rodan further and further down essentially. Though of the KOTM crew, Rodan was the only survivor, he only reappeared after Ghidorah’s corpse created Mechagodzilla, Mothra was reborn to help Godzilla and Kong and the new Titan X grounded a whole season of television. Rodan may very well be the central kaiju in season 3 of Monarch Legacy of the Monsters or the Cold War themed spinoff, as he was arguably the main kaiju in Godzilla Singular Point, but he is also the only one in the Big Five that has not appeared outside of an offscreen fridging with Anguirus in a recap section (Planet of the Monsters) in a Japanese feature film since 2004. Ranking the kaiju by importance honestly is difficult because Rodan has this spot no matter what, unless Toho does restructure to include the election winner.

 

Mothra has not appeared in the flesh since then outside of the Monsterverse, but the same trilogy that reduced Rodan to a generic Pteranodon corpse kept her spirit as a central Deus ex machina. Still, there is a valid argument that Ghidorah and Mechagodzilla may be surpassing Mothra overall, and even so, the recent confirmation of Ghidorah’s role in Godzilla Minus Zero, produces an interesting dialectic in regards to his overuse. 

 

Ghidorah is the most overused antagonist, appearing directly in Ghidorah The Three Headed Monster, Godzilla vs Monster Zero, Destroy All Monsters, Godzilla vs Gigan, Godzilla vs King Ghidorah, Rebirth of Mothra, Rebirth of Mothra 3, GMK, Godzilla Final Wars, Godzilla: The Planet Eater, Godzilla King Of The Monsters, and Godzilla Minus Zero with ample stock footage cameos and multimedia presence (Godzilla vs Evangelion, Godzilla The Ride, etc.). These appearances all fall into a variety of contextual subsets based on if Ghidorah is in control of his own mental faculties, if he is from outer space or not, if he is King Ghidorah or a different type, etc. to the point it is simultaneously true that both the Monsterverse and Reiwa had a Ghidorah within a year of each other and that the last time Godzilla fought a villainous King Ghidorah in a Japanese live action film was 1991 (last time Godzilla fought a villainous extraterrestrial King Ghidorah in a Japanese live action film was 1972). There is equal parts hunger for and fatigue of Ghidorah’s role as Godzilla’s eternal archenemy.

 

 

Mechagodzilla has the most unambiguous universal appeal/significance. “X vs Mecha-X” is a trope bordering on cliche at this point, and Mechagodzilla himself somehow made it into Ready Player One’s film without Godzilla (or Ultraman who Mechagodzilla fought in the book). Mechagodzilla has also made similar strides to what I pointed out for Viras in my Gamera Big Five video. Mechagodzilla was the last straight up villain and second to last antagonist to Godzilla introduced in the Showa series, and still came after Ghidorah in sequence in the Heisei, Millennium and Monsterverse series. Godzilla’s Reiwa series adapted Mechagodzilla before Ghidorah, and after Ghidorah and Rodan had to share Yamazaki’s first Godzilla the Ride, before Mothra has gotten any treatment from Yamazaki, Mechagodzilla gets the second Godzilla the Ride to himself to explore his fight against Godzilla. (This is especially significant because it took until 2002 for Mechagodzilla to be the only other kaiju/mech Godzilla interacted with in a film, and that has still only happened once since then.) Similarly, the first kaiju/mech to interact onscreen with both Godzilla and Kong was Gorosaurus, but the second one and first in an American film was Mechagodzilla, with Mothra next and Ghidorah and Rodan still not having achieved this. Despite making the least sense in the real world, a mechanical version of Godzilla has the smallest buy-in of any concept.

 

My own personal ranking based on enjoyment would be 1. Rodan, 2. Ghidorah, 3. Godzilla, 4. Mechagodzilla, 5. Mothra, but as I hope I have justified sufficiently, this is almost meaningless to say. If I do videos or later blog points following up on my Godzilla kaiju ranking, the most productive next step would be to rank the incarnations of each of the Big Five against each other, ranking the top 20 Ghidorahs for instance. And that should wait until after Minus Zero comes out for the sake of being thorough.

 

 

Expanding the Big Five into a Big 10 or Big 15 is something numerous people have tried to do, and I am still not sure that I have succeeded, but hear me out. Box office appeal is the primary metric for the Big Five, and so, logically movie attendance in Japan should be a consideration for expanding the Big Five, in which case the top 10 films are King Kong vs Godzilla (12.55 million), Godzilla 1954 (9.61 million), Godzilla Raids Again (8.34 million), Mothra vs Godzilla (7.20 million), Shin Godzilla (5.69 million), Ghidorah The Three Headed Monster (5.41 million), Invasion of Astro Monster (5.13 million), Godzilla Minus One (5.04 million), Ebirah: Horror of The Deep (4.21 million) and Godzilla vs Mothra 1992 (4.20 million) (https://www.reddit.com/r/GODZILLA/comments/1o75xmh/godzilla_series_japanese_box_office_charts/). 

 

In addition to the Monsterverse’s US and international appeal, KKvsG’s top placement means we can certainly keep Kong in the 6th slot, and while this list keeps Ghidorah, Mothra and Rodan pretty central, Anguirus’ debut film is in the top 3. I am hesitant to give Anguirus a slot here because he is not that popular in Japan (especially compared to Baragon, who, in turn, is less popular in the US), but he has been in as many films as Rodan and serves a similar role as “dinosaur inspired friend to Godzilla,” and he is the only one we can promote from this data. (For the American side of things, Anguirus has an almost cameo in the Monsterverse where a skeleton with his head appeared in Godzilla’s temple when it exploded, and Anguirus won the 2024 Toho Kingdom Hall of Fame vote, beating out Hedorah and Gigan.)

 

If we adjust and take out the films that only featured members of the Big Five, the top 10 films are KKvsG, Godzilla Raids Again, Ebirah Horror Of The Deep, Godzilla vs Destoroyah, Godzilla vs Spacegodzilla, Destroy All Monsters, Son of Godzilla, GMK, Godzilla 2014, and Godzilla vs Biollante, but GvB is about the point where we are getting into box office disappointments. This list confirms my other suspicion that the Son of Godzilla character, be it named Minilla or Godzilla Junior, is important glue in the franchise, so the 7th place spot I have earmarked for him stays (Anguirus being number 8). Put a pin in Spacegodzilla, Destoroyah, and Biollante for a moment; it makes more sense to get back to them after another Toho Kingdom indulgence. In a poll from 2020 with over 100 votes as to which kaiju should be considered the next five in a Big 10, Anguirus earned first place with 22 votes, Gigan second place with 20, Minya 12 (but Godzilla Jr 3 so our combined Son of Godzilla archetype gets 15), then Baragon with 11, Destoroyah 8, Biollante 7, and that is enough for the sake of this discussion. 

 

 

Gigan is another strong contender for a Big 10. He first appeared prominently in a film featuring King Ghidorah (though low attendance overall, it is the highest attendance of the Champion Fest era of the Showa series) and then got a direct sequel (kind of) and multiple appearances on Zone Fighter. The addition of Godzilla and Gigan together into Jet Jaguar vs Megalon and Zone Fighter indicates that, at least of the available suits, Toho considered them the quintessential hero and villain…for at least one year in the 70s. Gigan was prominent in Godzilla Final Wars, but there was no Heisei appearance, and the other continuities of Gigan have been in expanded multimedia material similar to Viras in the Gamera series. Still, multiple creatives working on the Monsterverse have voiced desire to bring Gigan into the universe, and the various repaints of Gigan are carrying the Godziburst toyline on their back, so the number 9 spot going to Gigan seems fair to me.

 

On April 10th, 2021, there was a Japanese popularity ranking, surveying modern favorites in the franchise. With 5730 votes and a two-week survey period, this is the most objective of the sources I have brought into this investigation today. The top ten films according to a modern audience (which should thus influence a modern Big 10) were Shin Godzilla (914 votes), Godzilla 1954 (662 votes), Godzilla vs Destoroyah (655), Godzilla vs Biollante (645), GMK (288), Godzilla Final Wars (274), Godzilla vs Mechagodzilla II (212), Godzilla Against Mechagodzilla (208), Mothra vs Godzilla (202) and Godzilla vs King Ghidorah (183). 

 

The Heisei series has been integral to Toho’s internal marketing of the character ever since they came out, and its new creatures Biollante, Spacegodzilla and Destoroyah deserve consideration for the last spot because even with no reappearances (yet), they have greater staying power than the Millennium kaiju (Orga and Megaguirus). GMK’s position vindicates Mothra and Ghidorah’s popularity, but also implicates Baragon as a profitable asset, and it is probably fairest to have Anguirus and Baragon share the number 8 spot, because where one is popular, the other is an afterthought basically. It is very difficult to narrow down who of the three Heisei kaiju should get that lost slot. The Monsterverse would otherwise be a kingmaker, but I do not really know if the confirmed impending revival of Spacegodzilla in Godzilla x Kong Supernova matters as much to the overall state of the franchise. Toho is introducing the eight new monsters this month before the new Spacegodzilla has the chance for so much as a trailer, and IF Toho truly does intend for the winner of the contest to be a new franchise mainstay, they would supplant Spacegodzilla here. 

 

Biollante and Destoroyah each have interesting rhetorical situations, Biollante being the result of a similar contest that actually also inspired the Ultra series kaiju Leogon, while Destoroyah was the (retconned) logical extension of the Oxygen Destroyer and also went through several drafts that would have seen him interact with Anguirus. Godzilla vs Biollante is consistently a critical darling in Japan and America, and I would give Biollante the edge just for having half the theatrical attendance of Godzilla vs Destoroyah but as much, if not more, staying power.

 

So, with these next five, I would rank them a little differently. Kong should really have his own ranking inclusive of his opponents, but Son of Godzilla includes Minya, the three different suits for Godzilla Junior, Zilla Jr, Godzilla Filius, etc, so that would be its own post or video, as would the different incarnations of Anguirus. I will just rank the rest now. I like Biollante more than Destoroyah, but then Gigan, Spacegodzilla, and Baragon.

 

There are, of course, a few more secondary kaiju in the franchise: Ebirah, Kumonga, Kamacuras, Hedorah, Jet Jaguar and Megalon had multiple appearances across films, series or official shorts. And Titanosaurus, Orga, Megaguirus, the MUTOs, Skar King and Shimo are still prominent in their own films. The tertiary kaiju and Toho expanded catalog would add Varan, Moguera, Oodako, the giant lizard, the Giant Condor, Shukra, Momagon, The Griffon, Sanda, Gaira, Frankenstein, and so, so many more. That would be its own video to parse. Let us know which of those you would like to see first (a video ranking the incarnations of Ghidorah, the same video but with a kaiju the caliber of Anguirus or a wild obscure ranking like what half of my Gamera kaiju picks were).

 

 

In the meantime, we have a new bottom eight with the potential of rising stars, so let us go through the new contenders, knowing that they will either rise to the top of our lips or die in obscurity like Firelion and Lightning Bug.

 

Though this post is technically more about grouping the different Godzilla kaiju than ranking them, I still did include my best guess of the order of importance of the Big Five as well as my own ranking of the major stars. As we know little about these new kaiju, the order of importance seems to be their billing on the website and the order their silhouettes were first revealed. This is like how, in my Gamera ranking, I had to rank Vaora, Sohra and Bodera fairly low, as I only had access to their designs in a still image. So, the objective ranking is Gigasecto, Candyroy, Gilx, Sagius, Xenolhu, Madomuh, Minacias and Rigedoh, but, for fun, I will introduce them to you in the opposite order.

 

 

Rigedoh is ostensibly a triceratops but resembles a roided up fusion of Godzilla Evolved, Shimo and the Ultra series kaiju Gomora. Rigedoh thawed out of ice, due to global warming, and went through an evolution into its final form, per the information provided on the election website. A whole movie’s worth of context already exists just leading up to Rigedoh using his Dino Trident energy move against Godzilla, so I voted for Rigedoh rather early on in this election process (the first block of voting allows one vote per day between September 16th and October 4th, at which point the top 4 advance to midterms). I like Rigedoh, and I could see him as a suit very easily, but I kind of hope he does not win. 

 

Still, we must recall that the most likely Godzilla for these kaiju to face is Burning Godzilla 2000, and I must admit that a jagged, spiky Burning Godzilla in black and orange would contrast nicely with a muscular, spiky white and pink triceratops. I also appreciate the recent trend of bringing herbivore kaiju into the fray with Therizirus in Ultraman Omega being a Therizinosaurus. I have not voted for Rigedoh a second time, but my second vote was for him.

 

 

My fourth vote overall was for the 48 meter ancient mecha Minacias, which resembles a thorny unicorn. Evidently, it was the peacekeeping guardian of an ancient prehistoric society that they used as a weapon, which wiped them out (bringing to mind Heisei Gamera and Gyaos). Upon its awakening, it passed judgement on modern day weapons testing, misconstrued Godzilla for a weapon of destruction and sought him out to make an example of him. In this case, it feels like the “movie pitch” here necessitates Godzilla, especially as its ‘Electric Damned’ unicorn electricity could beam clash with Godzilla and would effectively target the infrastructure Godzilla would not attack (siphoning energy from communication networks and causing total electrical gridlock). The spindly appendages make this difficult for me to visualize as a suit, but the silhouette is strong; of all the creatures here, I recommend flipping through the front, back and side profiles provided most of all.

 

 

I have joined consensus in declaring that Madomuh is the least unique, clearly just a copyright-able version of Cthulhu (Xenohlu, who we will get to, takes the concept of an eldritch horror interacting with Godzilla to a more fresh place), but Cthulhu vs Godzilla has always been a popular match-up that I would not mind seeing, and Toho inevitably was always going to make their own Cthulhu for this match-up to make money. Madomuh has arisen from the sea, following a period of dormancy, to re-establish itself as a ruler of earth. It can brainwash other lifeforms, is 50 meters tall (these new opponents range from 40 to 60 meters for the most part), and has a self-destructing mutagenic Grand Spore that can enter a creature to bring it under Madomuh’s control.

 

 

So far, Xenohlu is especially popular in the West, and even though I voted for it only third, this is probably my favorite to win and favorite overall. It has telekinesis, causes hallucinations and arrives, seeking out Godzilla out of a “sinister curiosity” about Godzilla’s atomic breath. This is easily the most bizarre and alien concept, as its Abyss Gaze uses a giant eye to override a person’s willpower and disintegrate them. Also, Xenolhu can fly by warping reality with his tentacles. This is almost too inventive to waste on a short film, but the odds of a feature film from a visionary director featuring this kaiju is next to nothing if he loses the poll I would think, so I still hope he wins. Starfish squid is how I would describe this design, and I think they could realize it in suitmation pretty similarly to Pestar from the Ultra series. The 58-meter height also makes Xenolhu more imposing than Madomuh, and the marquee value of “Godzilla vs Cthulhu" is present no matter which of the eldritch abominations wins this election.

 


Sagius is the other mecha, with the general shape being a cross between the Gamera monsters Iris and Legion, as is the centaur to Minacias’ horse. It was seemingly made to fight Godzilla and has drones that can come off its back as well as a variable maser attack from its chest or from its drones in an array. I would wish to actively campaign against Sagius making top 4, because it is a less cool version of the scrapped Asuka Fortress Mecha Mobile Facility with tentacles and smaller ancillary robots. I still voted for Sagius out of the interest of fairness, but I would not do so again.

 

 

Gilx feels like a Spacegodzilla offshoot concept, an extraterrestrial world destroyer that goes to earth to seek Godzilla’s energy (that already has Godzilla’s general build just with Ghidorah inspired features, in this case twin tails, and if he gets his hands on Godzilla’s energy, I suspect he would assimilate him further). Gilx’s goal with Godzilla’s energy is to destroy Earth with a beefed-up version of its Planet-Destroying ray. This is a cool enough monster and seems perfect for a short film (as opposed to a feature), but I find it weird to make Godzilla’s big 70-meter opponent that weighs over 40,000 tons only capable of destroying Earth by using Godzilla’s power. Godzilla’s victory would be ensured in the premise if his power exceeds Gilx’s already.

 

 

Though I cannot verify this, I have heard that Candyroy is especially popular in Japan, and I can see why. A Hedorah type creature composed of candy wrappers in this huggable exterior is the most “late Showa Ultraman” coded thing imaginable, and it satisfies the itch for Hedorah to return in a suitmation format while not making a CGI reimagination irrelevant. Candyroy is exceptionally weird. He looks like Alien Zamu but with a Hedorah skin texture and ranges from 0 to 55 meters. Like Hedorah, he came from space but assimilated an earthly pollution problem upon arriving. Still, like Hedorah, he seems to be a powerhouse, able to turn him body partially into particles to make a Particle Cannon shockwave or turn his arms into swords. Candyroy is neat, and I would like to see him in something. Now may be his best chance, but I figure if he makes it top four, he still has a chance to appear later on down the road.

 

 

Gigasecto was my first vote in this race, because I think he was one of the better concepts, and leading with him in the marketing tied my hands. If, after reading this whole article, Gigasecto still grabs you, then he has a unique appeal that could lead to him landing top 4. I certainly hope so, though he may be too close to Megalon (Megalon appeared in Gemstone’s Godzilla Day short in 2023, so we could do without Megalon lite this soon after). This is a detailed beetle design with six limbs and a tail, and he spent 65 million years feasting on nutrients in the Amazon rainforest before sensing Godzilla and becoming territorial. Like Megalon, his backstory could make him the lesser or greater of two evils, and if we are drawing from Megalon to make Gigasecto, I think it would be neat if Gigasecto and Gilx develop an inexplicable friendship. The Sonic Blade attack seems a little bit out there if it truly is a “vacuum blade that slices through spacetime,” but Megalon’s firepower was on par with that of King Ghidorah, so I should not complain too much. The four arms would make for interesting grappling choreography as well.

 

Well, that is the overview of the Godzilla kaiju as best as I can group them. Let us know if you agree with my drafts for the Big 10 and which of those Big 10 you would like to see ranked individually first. Also, let us know which, if any, of the new eight kaiju appealed to you in the comments below. Stay tuned for more kaiju coverage from a variety of angles in a variety of styles.