Remembering Bert I Gordon's Beginning of the End
Long before Peter Graves appeared in the hit 1960s TV show Mission Impossible, he began his acting career starring in a number of low budget science fiction films of the 1950s. Some of the low budget science fiction films that he appeared in include: Killers From Space, Red Planet Mars, It Conquered The World, and my favorite: Beginning of The End.
I have a fondness for insects, particularly grasshoppers. As a boy, I would hunt them down in the fields near my home and pull off their legs or place them in a milk carton and blow them up with Black Jack firecrackers. Sometimes I even liked to put them on anthills and watch the ants attack them.
As penance for my behavior, I have used them as a subject in many of my paintings. The large grasshoppers in Bert I. Gordon’s Beginning of The End would likely get their revenge on me if they knew how badly I treated them as a child.
The 1950s ushered in a series of science fiction films with the theme of something growing large as a result of atomic radiation. Giant spiders, giant grasshoppers, a giant bird, giant ants, a giant colossal man and even a giant reptile from Japan named Godzilla were all popular forms of entertainment for post-World War II movie-goers. Director Bert I. Gordon was the master of the “giant genre.” In fact, his initials spell BIG, so he was often referred to as “Mr. Big.”
A small town named Ludlow in the suburbs of Chicago has been entirely wiped out without a trace. Pretty photographer and newspaper journalist Audrey Ames, played by Peggie Castle, is there to report on the town's devastation. The local authorities and the military are anxious to keep the story quiet, so they forbid Castle from taking pictures and printing any information about the devastation. Her newspaper editor suggests she investigate the U.S. Department of Agriculture.
There she meets local entomologist Dr. Ed Waynewright, played by Peter Graves, who is conducting atomic experiments on plants. After being fascinated by Graves’ large plants, Castle convinces him and his laboratory assistant to look over the grounds of a recently destroyed warehouse near the Department of Agriculture. While investigating the grounds, they encounter several giant grasshoppers. Graves’ lab assistant is attacked and killed by one of them.
What I find so interesting about this film is the fact that actual grasshoppers are used in many of the scenes. Unlike so many giant insect films of the 1950s that use fake-looking paper mache or clay modeled insects, such as The Deadly Mantis, Monster From Green Hell or The Black Scorpion,
Beginning of The End manages to use the real thing, even if it is through a rear projection method on a screen. Even the giant ants in Gordon’s own 1977 film, Empire of The Ants appear to be very fake looking and unconvincing, unlike this film. Plus, the film is not dependent on the CGI effects that we see in so many films of today. This makes it much more authentic and interesting to me.
Like so many low-budget science fiction films of the 1950s, the film manages to use many stock footage shots of military men loading shells into cannons and running around with rifles. There are also stock shots of mass numbers of people running in the streets, similar to The Day the Earth Stood Still and Earth vs. The Flying Saucers. One particularly effective shot is of a woman standing in her high-rise Chicago apartment combing her hair after getting out of the shower. As she combs her hair in a white bathrobe, a giant grasshopper appears at her window, She screams loudly as the grasshopper breaks the window and the camera quickly zooms up close to the grasshopper’s head. (Too bad Oprah’s HARPO Studios in Chicago wasn’t around in the 1950s for the giant grasshoppers to pounce on!)
Other effective shots are of Graves and military men combing through a small forest as they encounter a number of grasshoppers. The grasshoppers actually look as though they’re walking between the trees as the men run to avoid them. One of the grasshoppers even manages to chase the army vehicle as it quickly drives out of the forest. These are some of the most effective sequences in the film. For unintentional humor, there is a sequence of Graves trying to capture a giant grasshopper so he can record the sounds it makes into a recorder. Somehow the grasshopper manages to make its way into a cage in Graves’ high-rise building laboratory in Chicago. How it managed to get through the door and into a cage in the lab is anyone’s guess, but it provides some unintentional humor in the film.
Also for laughs is the end sequence when the military general, played by veteran actor Morris Ankrum, uses the grasshopper call to drive them out into the nearby lake like the Pied Piper. An aerial view of the grasshoppers reveals that they are obviously floating in someone’s bathtub or bathroom sink. This is an important ending to the film, but also a very funny one too.
I have a fondness for insects, particularly grasshoppers. As a boy, I would hunt them down in the fields near my home and pull off their legs or place them in a milk carton and blow them up with Black Jack firecrackers. Sometimes I even liked to put them on anthills and watch the ants attack them.
As penance for my behavior, I have used them as a subject in many of my paintings. The large grasshoppers in Bert I. Gordon’s Beginning of The End would likely get their revenge on me if they knew how badly I treated them as a child.
The 1950s ushered in a series of science fiction films with the theme of something growing large as a result of atomic radiation. Giant spiders, giant grasshoppers, a giant bird, giant ants, a giant colossal man and even a giant reptile from Japan named Godzilla were all popular forms of entertainment for post-World War II movie-goers. Director Bert I. Gordon was the master of the “giant genre.” In fact, his initials spell BIG, so he was often referred to as “Mr. Big.”
A small town named Ludlow in the suburbs of Chicago has been entirely wiped out without a trace. Pretty photographer and newspaper journalist Audrey Ames, played by Peggie Castle, is there to report on the town's devastation. The local authorities and the military are anxious to keep the story quiet, so they forbid Castle from taking pictures and printing any information about the devastation. Her newspaper editor suggests she investigate the U.S. Department of Agriculture.
There she meets local entomologist Dr. Ed Waynewright, played by Peter Graves, who is conducting atomic experiments on plants. After being fascinated by Graves’ large plants, Castle convinces him and his laboratory assistant to look over the grounds of a recently destroyed warehouse near the Department of Agriculture. While investigating the grounds, they encounter several giant grasshoppers. Graves’ lab assistant is attacked and killed by one of them.
What I find so interesting about this film is the fact that actual grasshoppers are used in many of the scenes. Unlike so many giant insect films of the 1950s that use fake-looking paper mache or clay modeled insects, such as The Deadly Mantis, Monster From Green Hell or The Black Scorpion,
Beginning of The End manages to use the real thing, even if it is through a rear projection method on a screen. Even the giant ants in Gordon’s own 1977 film, Empire of The Ants appear to be very fake looking and unconvincing, unlike this film. Plus, the film is not dependent on the CGI effects that we see in so many films of today. This makes it much more authentic and interesting to me.
Like so many low-budget science fiction films of the 1950s, the film manages to use many stock footage shots of military men loading shells into cannons and running around with rifles. There are also stock shots of mass numbers of people running in the streets, similar to The Day the Earth Stood Still and Earth vs. The Flying Saucers. One particularly effective shot is of a woman standing in her high-rise Chicago apartment combing her hair after getting out of the shower. As she combs her hair in a white bathrobe, a giant grasshopper appears at her window, She screams loudly as the grasshopper breaks the window and the camera quickly zooms up close to the grasshopper’s head. (Too bad Oprah’s HARPO Studios in Chicago wasn’t around in the 1950s for the giant grasshoppers to pounce on!)
Other effective shots are of Graves and military men combing through a small forest as they encounter a number of grasshoppers. The grasshoppers actually look as though they’re walking between the trees as the men run to avoid them. One of the grasshoppers even manages to chase the army vehicle as it quickly drives out of the forest. These are some of the most effective sequences in the film. For unintentional humor, there is a sequence of Graves trying to capture a giant grasshopper so he can record the sounds it makes into a recorder. Somehow the grasshopper manages to make its way into a cage in Graves’ high-rise building laboratory in Chicago. How it managed to get through the door and into a cage in the lab is anyone’s guess, but it provides some unintentional humor in the film.
Also for laughs is the end sequence when the military general, played by veteran actor Morris Ankrum, uses the grasshopper call to drive them out into the nearby lake like the Pied Piper. An aerial view of the grasshoppers reveals that they are obviously floating in someone’s bathtub or bathroom sink. This is an important ending to the film, but also a very funny one too.
Beginning of The End is a film that taps into the atomic fears that so many viewers had in the post-World War II era of the 1950s. I highly recommend the film to any fan of low-budget science fiction films, especially insect lovers!
-- Steve D. Stones
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