Hello Plan9Crunch readers, in honor of the holidays, bloggers Steve D. Stones and I, Doug Gibson, offer readers our five favorite Christmastime films. We hope you enjoy reading our picks and perhaps you will sample one or two as Christmas day approaches. So, here we go!
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Doug Gibson’s list of favorite Christmas/holiday-themed
films.
1). “A Christmas Carol,” 1951: “Oh! But he was a tight-fisted hand at the grindstone,
Scrooge. a squeezing, wrenching, grasping, scraping, clutching, covetous old
sinner! Hard and sharp as flint, from which no steel had ever struck out
generous fire; secret, and self-contained, and solitary as an oyster.” Simply
put, Alastair Sim best represents Scrooge as depicted by Charles Dickens. His redemption after visits from three
spirits is also the best, most joyfully portrayed on film. Old screen veterans
Kathleen Harrison and Ernest Thesiger also add spice and cheer to this
adaptation.
2). “A
Christmas Carol,” 1984: George C. Scott’s portrayal of London’s meanest
businessman is superb, and just a tad below Sim’s definitive portrayal. Scott
gives Scrooge a faint of air whimsy and humor, even when he’s coveting pennies
within sight of beggars. To be fair to Scott, it translates well to the screen.
Edward Woodward, as an imposing, scolding Ghost of Christmas Present, is the
best Christmas ghost captured on the screen.
3). “Going My
Way,” 1944: Bing Crosby, as Father Chuck O’Malley is a joy for Christmas,
mixing wonderful songs with a story about a talented young priest called to a
struggling to secretly help a grizzled old veteran priest, Father Fitzgibbon,
(wonderfully played by Barry Fitzgerald) back on its financial feet. Perhaps no
other film captures life in the heart of NYC so well. The finally scene, in
which Father Fitzgibbon is reunited with his mother after a half-century, will
cause the driest cynic to tear up.
4). “Miracle on
34th Street,” 1947: This witty tale of Santa Claus on trial
basically made Edmund Gwenn iconic as who Santa Claus is. The most
tear-inducing scene is Gwenn’s Santa speaking Dutch with a WW2 orphan girl at
Macy’s. There are two main threads in this marvelous slice-of-NYC life film.
The first involves a witty court fight to legitimize Gwenn’s Santa. The second
is Gwenn’s quiet but effective campaign to teach a cynical mom and her
impressionable daughter the true spirit of Christmas.
5) “The Shop
Around the Corner,” 1940: I love this Christmas film, where two shop clerks, who
initially actually have a history of disliking each other, share love notes as
anonymous pen pals. Jimmy Stewart is great as the male lead, and Margaret
Sullavan is beautiful as the shopgirl. This is based on a Hungarian play, and
is set in “Budapest,” which looks like the most beautiful city on Earth.
Steve D. Stones’ list of favorite Christmas/Holiday themed
films.
1). Santa Claus Conquers The Martians (1964). This
favorite pick is predictable, but how can anyone resist a Christmas movie with
dopey characters named Drop-O, Keemar, Voldar, Gurmar and Bomar? The acting, dialogue,
make-up, sets and costumes are amateur, at best, but the film has a lot of
heart. John Call in the role of Santa Claus is irresistible, and may be the
only convincing character in the entire film. Watch for the cheap spaceships designed
from toilet paper rolls and toilet plungers are used as ray guns. No toilet humor is involved. The green Martian
make-up is lightly applied to many of the actors, likely for lack of budget. Don’t
miss it! See Doug Gibson and I review this film as a video-cast on this web-site.
2). Die-Hard (1988). Yes, believe it or not, this box
office action yarn can be considered a “Christmas movie.” Not since Sylvester
Stallone played John Rambo in “First Blood” (1982) has Bruce Willis’ John McClane
action hero had such great appeal to mass audiences. His famous “Yippy-Ki-Yah-Mother-Fu*#er” line
has become a staple of popular cinema culture. McClane takes on a group of
European terrorists on Christmas Eve who have seized a high rise building in
Los Angeles. The result is a dynamite,
edge of your seat action film that never lets up, and allows the audience to
cheer for the killing of every bad guy McClane chalks up on his arm with a
marker. Willis is perfect in this role,
and went on to make three more in the series. This is a film where you’ll find
yourself cheering for police and law enforcement.
3). Scrooge (1935). Although there have been many
screen adaptations with larger budgets of Dickens’ “A Christmas Carol” classic,
this one is a particular favorite of mine because it was the first VHS video I
ever bought with my allowance money when I was 13. The dated, worn out look of
the film helps add to its nostalgic quality. Ebenezer Scrooge is played by Sir Seymour
Hicks, who also co-wrote the script. Hicks is perfectly cast. The film is as
poverty looking as its subject matter, but is worthy of a viewing just to see
what one of the first screen adaptations of this Dickens classic looks like. Most
public domain prints run 58 minutes, but an extended version runs over 80
minutes. Even the 58 minute versions list the film length on the box cover as
83 minutes. Don’t be fooled by this.
4). Black Christmas (1974). It has often been said
that John Carpenter’s 1978 film – “Halloween” ushered in the so-called
“slasher” horror films of the 1980s. Halloween owes a great deal to this
holiday horror feature. Beautiful Olivia Hussey plays a college girl with
boyfriend problems living in a sorority house, who is terrorized on Christmas
Eve by threatening phone calls. The phone caller-killer is never shown on
screen, adding to the suspense. He hides in the attic of the sorority house,
which makes perfect since, considering how cold it is outside on Christmas Eve.
The film was also marketed as Silent Night, Evil Night and Stranger In The
House.
5). Santa Claus (1959). Not to be confused with the
1994 Tim Allen movie, or the 1985 Dudley Moore film of the same title, this bizarre
1959 Mexican import is notorious for VHS prints that cut out scenes involving
the devil. Santa Claus also shows scenes of children from different countries
singing Christmas carols in their native languages at Santa’s workshop at the
North Pole. The film has a moral tale to warn children not to steal the toys
they want just because their parents may not have the money to buy them for
Christmas. It’s not known why public
domain prints cut out all the scenes of the devil, but those scenes depict the
devil as playful and ridiculous and are an important part of the film. Perhaps
the scenes were cut so as not to scare children?
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