Billy the Kid versus Dracula, directed by William Beaudine, Circle Films, 1961. Starring John Carradine as Count Dracula, Chuck Courtney as Billy the Kid, Melinda Plowman as Betty Bentley. Others in cast include Harry Carey, Jr., Roy Barcroft, and Olive Carey. 1966, Color, 73 minutes. Schlock-meter rating: 6 stars out of 10.
I have a soft spot for this movie, which puts me at odds with just about every other film critic. Okay, I know that the plot is feeble, the acting poor, the special effects a joke. And it's a fraud to vampire lore, since Carradine spends a lot of his time out in broad daylight.
Nevertheless, it's a fun little film if not taken seriously and the offbeat plot (Hero Billy the Kid matching wits with Dracula) is unique enough to merit a few stars. The plot: Dracula (on vacation?) is in the Old West. He provokes Indians into killing everyone on a stagecoach, then assumes the identity of a rich Eastern banker whose niece (who Dracula has the hots for) is about to marry a reformed Billy the Kid. THAT IS a bizarre plot -- even Ed Wood may not have come up with something that unique.
This is definitely not Carradine at his best; in fact he seems many times to just walk through his role (he considered it his worst film), but the old vampire master has a few good scenes, and manages to be quite sinister at times. Billy The Kid versus Dracula was made with Jesse James meets Frankenstein's Daughter (not quite as good). Both were directed by Beaudine and played primarily Saturday kiddie matinees together. The film can be seen occasionally late at night on TCM. Antenna TV, just prior to Halloween, showed it as a movies-all-night double feature with Jesse James Meets Frankenstein's Daughter.
The film boasts some acting names with heavy chops. Besides Carradine, there's Olive Carey, Bing Russell, Marjorie Bennett, Roy Barcroft and Harry Carey Jr. Virginia Christine plays a European maid who tries to foil Dracula. She later became the "Folger Coffee woman" on TV ads. Director Beaudine was a Hollywood legend, famous for producing low-budget films on schedule and for an overall cheap price.
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