Space Probe Taurus with the Wizard of Mars monster

Space Probe Taurus, 1965, American Independent, B&W, 73 minutes. Directed by Leonard Katzman. Starring Francine York as Dr. Lisa Wayne, James B. Brown as Colonel Hank Stevens, Baynes Barron as Dr. John Andros and Russ Bender as Dr. Paul Martin. Schlock-Meter rating:4 stars out of 10.

AIP had high hopes for Space Probe Taurus. Initially planned as a theatrical release, a sequel was in pre-development while the futuristic sci-fi was being filmed. After Leonard Katzman (son of 40s cheapie mogul Sam Katzman) finished the film, AIP execs watched the film. Plans for a theater release were scrapped. The sequel was put on the shelf permanently, and Space Probe Taurus was quickly sold to television. It was a smart move. Space Probe Taurus is so corny although it has a fun goofiness. There is less than 7 or 8 minutes of action in the entire film. The actors talk and talk and talk and talk and still talk. Whenever our stars meet any space monsters (and they're pretty pathetic) the action never rises higher than a Buster Crabbe serial. The sets and FXs are awful. A talented high school class could do a better job. The script is cliche-ridden with stock characters (feminist lady scientist, gruff chauvinist commandeer who will win over the girl, money-grubbing wise-cracking crewman who will of course die, and elderly scientist egghead).

The plot: It's supposed to be roughly around the year 2000, although everyone looks and acts like its the 1960s. Memo to filmmakers: When attempting a futuristic fantasy, try to have space exploration equipment that post dates 1960. Hope 1, a state-of-the-art space ship, is off on a journey to probe the universe. The search is for a planet that humans may one day colonize. The spaceship and its journey through outer space are accomplished with childish FXs that would embarrass any four-year-old Star Wars fan. It's obvious the ship is a 12-inch model and outer space looks like a blackboard with shiny stuff attached to it. Meteorites resemble toasted marshmallows. Yet, for some reason, as I have mentioned, it's goofy fun.

Before our heroes find the planet they are looking for, they intrude on a space station run by a lone alien with a face full of granola. When the alien understandably attacks the U.S. space soldiers they quickly kill him and blow up his ship. That is probably the best scene in the film! The "Space Monster," by the way, is also in the ultra-cheapie film "The Wizard of Mars." Eventually, our boring heroes, after a lot of talk and a definitely-uncool-in-2000 Me Tarzan, You Jane romance between Colonel Stevens (Brown) and Dr. Lisa Wayne (York), find an inhabitable planet. The wisecracking Dr. Andros (Barron) loses his life battling another alien, and our heroes, as they return home, name the planet Andros 1, in his memory.

Notes: Director Leonard Katzman rebounded from this mediocre effort to be a huge success in television. He created, among other hits, Wild Wild West, Walker Texas Ranger and Dallas. Like many independent films, Space Probe Taurus has had other titles, including First Woman Into Space, Flight Beyond the Sun, Space Monster and Voyage Into the Sun. American Movie Classics aired the film twice during the month of April 2002. If one searches enough, Space Probe Taurus can generally be bought via the Internet

-- Doug Gibson

Invasion of The People Eaters - Giant Carpet Shag Consumes Teenage Lovers

I recently received a DVD in the mail from Sinister Cinema entitled – Invasion of The People Eaters. I bought the DVD fully knowing that this title is the alternative title for what is regarded as one of the worst movies of all time – The Creeping Terror. When I bought the DVD, I assumed that perhaps this print may have scenes missing or later added to The Creeping Terror. Be aware if you purchase this film from Sinister Cinema because this is not the case. Only the title sequence has changed.

The Creeping Terror is notorious for the monster of the film looking like giant carpet shag that lethargically crawls around locations as his victims literally shove themselves into the opening at his feet. That is how bad and unconvincing this monster is. The viewer cannot help but laugh hysterically at the victims as they make no effort to escape the giant carpet shag, but instead push themselves into his large orifice.

One teenage girl is consumed by the monster at a dance hall as the monster makes his way across the dance room floor. Her sexy nylon covered legs are shown as she pushes her way into the monster. A sun bathing beauty in a bikini is also consumed by the monster in another scene. Even a young mother is attacked while hanging her laundry out to dry in her backyard. Instead of running from the monster, she stares dumbfounded at him until he eats her for lunch.

The Creeping Terror is also notorious for the sound man accidentally dumping the recorded sound for the film in Lake Tahoe, which is the location where the film was made. Most of the film is dubbed in boring voice over narration typical of industrial short films children watched in elementary school. The Invasion of The People Eaters print sold by Sinister Cinema has large portions of the film where the sound is not dubbed in sync with the movement of the actor’s mouths, making it difficult to view (as if the movie isn’t already tough enough to sit through).

The Creeping Terror may have been made in an attempt to cash in on some of the success of a film made six years earlier – The Blob (1958) starring Steve McQueen. The opening sequence shows spiraling lines encompassing the title and credits, similar to The Blob, although they are not animated as they are in The Blob. Happy Viewing!!!

-- Steve D. Stones

Halloween, as interpreted by Rob Zombie!

John Carpenter’s classic film Halloween literally took the box office by storm in 1978. It was immediately hailed as “the new Psycho of the 1970s” and remained the highest grossing independent film for more than 20 years, despite a budget of only $320,000.

It ushered in the “slasher genre” of the 1980s, and remains a classic of the horror film. Its influence can still be seen in many horror films of today.

 Rob Zombie’s 2007 reworking homage to Carpenter’s film is also a real treat for the horror film aficionado. Zombie concentrates on giving the audience the point of view of the Michael Meyers character, his childhood, and the transition he makes from a child’s clown mask to the iconic Michael Meyer’s mask that has become so familiar to moviegoers and horror fans.

This time we see a more human side to the Meyers character and less of the supernatural characteristic that defines Meyers in the Carpenter film. The Meyers family can be defined as the typical dysfunctional, middle-American family, with a divorced mother, Deborah Meyers, who works as a stripper, played by the director’s wife Sherrie Moon Zombie, and her deadbeat lazy boyfriend who constantly argues with Judith and avoids the children.

The Meyers home is in constant chaos, which drives Michael to trapping and killing animals in the home bathroom while wearing his clown mask. Zombie makes many of the same references that Carpenter makes in his film, such as a scene of Howard Hawks’ 1951 film The Thing playing on the television, and the music of Blue Oyster Cult’s “Don’t Fear The Reaper.” Young Michael Meyer’s even wears a KISS T-shirt to school.

The one reference that got my attention immediately is a scene of a young couple having sex in the Meyer’s rundown house while they play the punk rock song “Halloween” by The Misfits, which is sung in Latin. Zombie has also kept the eerie Carpenter score from the original film intact. Zombie spends more time showing the audience the interaction that takes place between Dr. Samuel Loomis, played by Malcolm McDowell, and Michael Meyers as a child. Dr. Loomis records his thoughts into a tape recorder while videotaping young Meyers in his handmade masks.

Meyers spends his time at the sanitarium making paper mache masks. His obsession grows to a room full of masks covering every inch of wall space in his cell. Another major difference between the two films is that the Lori Strode character in the Carpenter film is a virginal, bookworm babysitter who avoids boys out of complete shyness. Lori Strode in the Zombie film is at times a very sexual, nasty teenager who isn’t afraid to use foul language and talk about boys. She appears to be more confident about herself, and enjoys participating in the normal behaviors of a teenage girl.

From a complete visual standpoint, I found this film to be very well made, with genuine scares that kept me on the edge of my seat. Zombie manages to make horror films that combine bizarre visuals and rapid montages that work well with his choice of sound and music. Like his music and live performances, you will walk away from Halloween feeling very entertained and genuinely frightened.

I highly recommend this film to any horror film buff and fan of Zombie’s music. Two thumbs way up on this one!!!!!

-- Steve D. Stones

Dick Tracy vs. Cueball -- great fun

By Doug Gibson

The Medved brothers list Dick Tracy Vs. Cueball as one of the 50 worst films in their book, The 50 Worst Films of All Time, that was a popular a generation ago.

They're wrong, of course, "Dick Tracy vs. Cueball," from RKO Radio Pictures, is a lean 62-minute programmer that provides exactly what is offers. A cartoonish detective story of the famous detective stopping a dangerous mug, Cueball, who starts strangling people with a hatband who get in his way of getting full value for the diamonds he stole.

Morgan Conway as Tracy lacks the facial looks and screen presence that Ralph Byrd brought to the role but he does an OK job. The funny-pages feel to the picture is accentuated by colorful characters, including Anne Jeffreys as Tess Truehart, Tracy's girl and Lyle Latell as Pat Patton, Tracy's silly sidekick.

The other characters have names that highlight their personalities, such as Jewels Sparkle, Percival Priceless, Vitamin Flintheart, Filthy Flora and, of course, the baddie Cueball, played in sinister fashion by Dick Wessel. A chief clue toward catching Cueball is learned when a youngster tells Tracy all the kids bought hatbands made by a prisoner who was recently released. ...

A 50 worst film? ... NONSENSE. I loved this action programmer from director Gordon Douglas. Why don't we watch the movie above.