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Monday, July 6, 2009

John D. Fitzgerald and The Great Brain


By Doug Gibson

Editor's note: This essay originally appeared in the July 5, 2009 Standard-Examiner.

'The Great Brain' remains popular to those kids who read the series
In educator Colleen Smith's recent fourth-grade classes at Wasatch Elementary School in Ogden, time is spent listening to and reading about the exploits of a brainy, scheming little capitalist who roils the early 1900s town of Adenville, Utah, with his exploits.

The books are The Great Brain series, written by the late John D. Fitzgerald, a roving Gentile reporter/adventurer who spent very little time in Utah after his 18th birthday in 1924, but kept tucked into his mind an endless trove of fond memories. Those memories, along with a strong talent for writing and a healthy dose of literary license, produced three novels for adults and eight "Great Brain" books for kids. Those books were introductions to Mormonism for hundreds of thousands of readers.

"The Great Brain" series features Tom D. Fitzgerald, the smartest kid in Adenville, who puts his great brain to work trying to separate cash from the other kids, and many of the adults, in town. The books are narrated by Tom's younger brother, John, who provides colorful commentary. Fitzgerald wrote seven "Great Brain" books. After his death in 1988, a partial manuscript for another book was discovered, and it was polished and published several years later.

Smith uses the books to teach Utah history to her fourth-graders. "(The books) talk a lot about Utah history," she says. Examples include the town of Adenville, its supposed founding and growth - including the planting of trees there - and the early 20th century relations between Mormons and non-Mormons, she says.

"The Great Brain" is still popular to those kids who read the series. Smith says her students enjoy the books so much they hunt and snatch up the series' titles at school libraries.

The books were wildly popular in the 1970s. I recall my fifth-grade teacher reading "The Great Brain at the Academy" to us in Long Beach, Calif. The easy-to-read prose, Fitzgerald's sense of comic timing, and the morality tale found in each chapter no doubt contributed to the success. Utah historian Audrey M. Godfrey, in a 1989 essay, "The Promise is Fulfilled: Literary Aspects of John D. Fitzgerald's Novels," correctly pegs Fitzgerald as a regional writer, a sort of Utah Mark Twain, who stresses authenticity through characterization and very detailed settings.

This is particularly evident in Fitzgerald's creation of Adenville. Witness this descriptive excerpt from "More Adventures of the Great Brain": " ... I looked at the trees planted by early Mormon pioneers that lined both sides of Main Street. Adenville was a typical small Mormon town but quite up to date. There were electric light poles all along Main Street and we had telephones. There were wooden sidewalks in front of the stores. Straight ahead I could see the railroad tracks that separated the west side of town from the east side. Across the tracks on the east side were two saloons, the Sheepmen's Hotel, a rooming house ..."

The books are crafted as short stories, strung together to both tell a good tale and teach a lesson. "Every chapter has a moral lesson," says Smith.

Tom's youthful urges to gain are generally tempered by a serious plot twist requiring charity, or an authority figure that moves the children to a more altruistic stance. To Smith, Tom's newspaper editor father often serves this purpose. In one example, he tempers his son's eagerness - and success - in publishing a competing newspaper by pointing out that most of his "news articles" were in fact gossip designed to hurt subjects and appeal to readers' baser instincts.

Another moral lesson, appropriate to today's political climate, involves the persecution a Greek immigrant named Basil receives at the hands of jingoistic townspeople. His persecutors, including the father of a friend of Tom, complain immigrants are taking jobs away from native-born Americans. The chapter ends with the bigotry resolved - at least among the kids - as Tom teaches Basil how to assimilate. True to his character, the Great Brain tries to profit from the endeavor.

Godfrey, in an interview, says the moral lessons in Fitzgerald's tales were likely influenced by the good feelings he experienced toward the Latter-day Saints growing up as a gentile in Utah. A consistent virtuous character in Fitzgerald's works is Bishop Ephraim Aden, the tolerant, gentle, elderly leader of Fitzgerald's Adenville.

However, the ecumenism prevalent in Fitzgerald's works may owe more to his idealized, fond memories of growing up in Utah than to reality. Price, Utah, where he lived, perhaps was a less tense place for Mormons and non-Mormons than Southern Utah, the setting of his novels. The guilt and secrecy, of, for example, the Mountain Meadows Massacre, is not found in Fitzgerald's novels.

"He had good feelings towards Mormons," says Godfrey. Bishop Aden, she adds, is representative of the larger role a bishop assumed in a Utah community 100-plus years ago. "In a small town there was a lot more give and take" between Mormon and non-Mormons," she says.

The accidental series

The "Great Brain" series came about almost by accident. One night Fitzgerald and his wife were entertaining friends for dinner. Fitzgerald's fiction writing career had peaked after the publications of "Papa Married a Mormon," "Mama's Boarding House" and "Uncle Will and the Fitzgerald Curse." The author recounted some long-ago tales about his older brother, Tom. The guests loved the stories so much Fitzgerald was motivated to write his first "Great Brain book.

The series, published by Dell, offered a second literary career for Fitzgerald and likely provided him and his wife Joan a comfortable retirement.

The writer Fitzgerald enjoyed an adventurous life through most of the past century. He left Utah at 18 to try his hand at being a jazz drummer. Early in his career, he was a pulp fiction writer and likely authored more than 100 lowbrow novels and short stories. If any survive that describe "Adenville" or his Utah youth, they have not surfaced. He worked as a staff writer for the New York World-Tribune and labored on the foreign desk for the United Press wire service.

He was also a bank auditor and even tried his hand at politics, working on the staff of Republican Wendell Wilkie's failed 1940 presidential campaign. He conceived the idea for "Papa Married a Mormon" while working as a steel purchasing agent in California in the 1950s. His sister Rose, although not listed on the title, was active in the novel's creation. Fitzgerald's novels, including the "Great Brain" series, were inspired by his mother, who asked him to one day write about "the little people" who founded the West, bankers, laborers, mother, merchants, newspapermen, the clergy, etc.

Besides his better-known works, Fitzgerald wrote two other children's novels and a book on how to craft a novel. He freelanced extensively, contributing more than 500 articles. "To thousands of youthful readers in the United States, England, and Germany he is a well known author. The Great Brain's character in Fitzgerald's series for children is as familiar as Tom Sawyer to these young people," wrote Godfrey in her 1989 essay.

Despite his literary achievement, much of Fitzgerald's life remains a mystery. Besides Godfrey's essay, there is little independent research on Fitzgerald. In fact, his death in 1988 was barely mentioned by Utah media. Perhaps Fitzgerald encouraged the secrecy. His books are crafted as if they include real places and real people. In "Papa Married a Mormon," there are even photos of the main characters.

Yet, while many of the tales related may have occurred in part and characters existed, the books are clearly fiction. There is no Adenville. Papa Fitzgerald is not a newspaper editor. There was no Jesuit academy in Salt Lake City 100 years ago (the setting of "The Great Brain at the Academy").

This literary license has led to confusion. Some libraries have placed "Papa Married a Mormon" in the biography section. There is a Web site devoted to trying to locate the "Southern Utah locations" of "The Great Brain" novels. On a personal note, I spent a long afternoon as a young teen dragging my parents through back roads of Southern Utah searching for the non-existent ruins of Adenville.

A perusal through long-filed away records in Carbon County and Price, Utah, unveil some of the mystery of the writer Fitzgerald's life. Most of the characters existed. Most are interred in Carbon County. The "Great Brain" himself, brother Tom Fitzgerald Jr., lived his entire life in Price. He died in 1988, the same year as his writer brother. By the way, the Great Brain was not a Mormon, but a lifelong Catholic. Tragedy dogged the real-life "Great Brain." In 1925 his young wife Fern died while pregnant and their daughter was stillborn.

Fitzgerald's father, Tom Fitzgerald Sr., was a well-known businessman who served as a Price City councilman. At his funeral, future Utah Gov. J. Bracken Lee was one of the pallbearers. Fitzgerald's mother was a Mormon who married a Catholic - that much is true. Her name was Minnie, not Tena, her name in the novels.

There is still much more to unearth in Carbon County and other areas should a biographer one day tackle John D. Fitzgerald's unique life.

Fading in popularity

It has been two decades since historian Godfrey wrote her essay on John D. Fitzgerald. His "Great Brain" series is still in print, but it has clearly faded in popularity. "Harry Potter," "Twilight" and other series are read today in far greater numbers than "The Great Brain" was read even during its most-popular era.

"(Most) kids don't even know about it. They are into more modern subjects, like fantasy, escapism," says Godfrey.

Nevertheless, the success of the series in Smith's fourth-grade class, and its popularity at other schools where it's part of the curriculum probably will prevent Fitzgerald's re-creation of turn-of-the-past-century Utah from ever growing extinct.

The Great Brain has proven to be immortal, and perhaps more importantly, he has managed to turn a tidy profit for The Fitzgerald family for half a century.

A postscript: With the explosion of Mormon-themed cinema, the Great Brain seems ideal for adaptation. Although few know this, it was made into a film in 1978 and starred Jimmy Osmond! On Osmond's Web site are stills from the film.

Trying to locate the film is futile. It is out of print and never had a video release. Why not is anyone's guess, although rumor has it the rights to the film are tied up in litigation. This seems silly, since the film had a mediocre box-office run. The film aired on TV and there may be murky taped-off-television video copies circulating.

I have seen the film several times -- I taped it in 1981 -- and it is OK, although acting is not Osmond's strength. The settings, however, are quite well done and the plot is faithful.

Hopefully in the future a new, presumably better, adaptation of Fitzgerald's series will be produced for a new generation of children.

Sunday, June 28, 2009

The Brain That Wouldn't Die


THE BRAIN THAT WOULDN’T DIE: Just find a new girlfriend!

By Steve D. Stones

The first question I always ask myself every time I watch this drive-in schlock masterpiece from 1959 is: “Would any man want a girlfriend with a sewn-on head?”

It’s such a simple question with a simple answer, yet the main character, played by Jason “Herb” Evers, is determined to keep his fiancé’s head alive after it is severed from her body in a terrible car crash.

Evers spends most of the film desperately looking for a beautiful young body to attach to his fiancé’s head. He hangs out at bathing beauty contests and a figure model class drooling over curvy cuties to replace his fiancé’s body. He finds just the right body of a brunette named Doris at the figure model class. She conveniently has deep scars on her face, but her body is to die for (no pun intended).

As for me, if I lost my girlfriend in a car accident, instead of keeping her head alive, I think I would be looking for a new girlfriend. Why go through the trouble of looking for a new body when you can just find the entire package, right? This is a large part of the unintentional humor of the film. What’s even funnier is when the severed head argues with the lab assistant as to whether or not it is right and ethical for them to be keeping her alive. Why be half dead when you can die a full death?

Perhaps the film is trying to make a statement about unconditional, unyielding love? Evers loves his fiancé deeply, and the loss of her body is not going to change his love for her. Even if it means he has to commit murder to keep her alive.

The film has many of the clichés in horror films that we’ve all come to identify. A monster is kept locked away in a closet and patched together by a mad doctor, much like Frankenstein’s monster. A loyal, yet deformed laboratory assistant stands by the mad doctor, despite his fear of the monster in the closet and his determination to suggest that their experiments are ethically wrong. The mad doctor is a playboy at heart who may love his fiancé, but deep down has a lust for other women too. We’ve seen this formula before.

Although The Brain That Wouldn’t Die began production in 1959, it was not released until 1962. The ending of the film shows the title as: The Head That Wouldn’t Die. It is the first film that I’m aware of that brings graphic violence to the screen, even pre-dating Herschell Gordon Lewis’ graphically violent Blood Feast.

The lab assistant has his right arm torn off by the monster in the closet. He drags the right side of his body up against the lab walls, smearing blood everywhere. The monster bites off a large section of Herb Evers’ neck, and then spits it on the lab floor as the camera zooms in on it closely. This was graphic stuff for the early 1960s. Television prints of the film had to cut out these two scenes in order to be able to show the film on TV.

One unique aspect of the film is its unconventional ending. Normally the good-looking guy, in this case the mad doctor played by Evers, gets the girl and a happy ending occurs. In The Brain That Wouldn’t Die, it’s the monster that gets away with the girl, while the handsome man lies bleeding and dying in his laboratory. This is a bit more original than most conventional low-budget horror films.

If you ever find yourself in the same situation as the mad doctor in this film, I think it would be best just to go out and find yourself a new girlfriend. After all, why go through the trouble of sawing off the head of another woman just to use the body for your girlfriend’s head? Nature didn’t intend for heads to be replaced with different bodies, so why waste your time improving on nature? This is what makes the plot of The Brain That Wouldn’t Die so absurd, yet fun to watch. Keep the popcorn close by.

Sunday, June 21, 2009

PLAN 9 FROM OUTER SPACE: PLAYING AT A LOCAL LIBRARY NEAR YOU!


By Steve D. Stones

It has been a long time dream of mine for nearly twenty years to see Ed
Wood’s “anti-masterpiece” Plan 9 From Outer Space on a big movie screen.
That dream came true on Saturday June 20th, 2009 when a new local library in my community, the Pleasant Valley Branch Library in South Ogden, screened the cult classic in a state of the art “Black Box Theater.”

Doug Gibson and his family picked me up about forty minutes before the movie was scheduled to play. We wanted to make sure not to miss a single
moment of the film. I climbed into the Gibson Family van and
immediately began reciting lines from the film. “My friends, can your
heart stand the shocking facts about grave robbers from outer space?” I
was contemplating what it would be like to see Criswell’s head fill up
the entire movie screen as he said that line. What a treat this was
going to be!

The rain was pouring heavily during our drive to the library. This was
not going to spoil my anticipation of seeing the greatest “bad movie” of
all time in an actual movie theater. In fact, I wondered if Ed Wood
enjoyed rainy days and would see this as the perfect day to be showing
Plan 9 or any of his films.

The theater was completely empty when we arrived. This gave us a chance
to pick the best seats in the house. By the time the film began, the
theater filled to about 40-plus people. This was a bigger turn out than I
had expected. Doug and I found ourselves reciting lines in the film
before they were even said. We even jokingly made Ad Lib comments about
actors and their lines, much like Mike Nelson and his robots on the
Mystery Science Theater 3000 TV show. This was a lot of fun for us.

I was completely amazed at how great Plan 9 looked up on the big movie
screen. Criswell’s “spit curl” looked like a perfect ocean wave to “hang
10” on with your surfboard. Best of all, close-ups of Vampira gave
better details of her beautiful cleavage and shiny, phallic fingernails.

Many other details I had previously overlooked came to light on the big
screen. For example, I never noticed that Mona McKinnon is wearing a
blouse with sparkling glitter in one scene with Gregory Walcott. This is
a detail that gets lost on the small screen.

Another overlooked detail is the scene of McKinnon running around in her
nightgown in the cemetery. She runs past two wooden cross grave markers
lying flat on the ground. Everyone is familiar with the famous scene of
the paramedic knocking over a wood grave marker in the cemetery, but I
had never noticed McKinnon running past two lying on the ground before.

Close-ups of aliens Dudley Manlove and Joanna Lee at their headquarters
shows great contrast of tactile textures and patterns on the drapery
behind them. From a technical standpoint, Plan 9 looks so much better
when viewed on a big movie screen.

It should be noted that this year marks the fiftieth anniversary of the
release of Plan 9 From Outer Space. This is all the more reason why I am
thankful I was able to see the film on a big movie screen. Now, if only
Ed Wood could have returned from the dead to make a few comments about his “anti-masterpiece,” that would have made the day even more complete. Happy 50th Birthday Plan 9!!! You do age like fine wine!

Sunday, June 7, 2009

Getting to know ... RedVamp


Interview by Doug Gibson

The gothic beauty pictured here is RedVamp, who also answers to Missy. Blessed with beautiful, real chestnut red hair and a model's physique, the Texas native has gained fame as a gothic model in ads for products that include jewelry and clothing. She's a fixture in genre magazines and cult trade shows, including "Gothic Beauty," "Bite Me," "Dark Realms" and "The Chronicles." She gained a niche in the cult movies genre by hosting a show for ScreamTV.net. RedVamp's Classic Tales of Horror earned a fan following with the beautiful host offering insight to cult films that included Nosferatiu, The Cabinet of Dr. Caligari, House on Haunted Hill, and The Terror. An excerpt is below.Classic Tales - Boris Karloff

In her personal life, RedVamp is a happily married mom with children. In fact, she just gave birth a new member of her family. She has a unique gothic look for the 21st century but adds a dash Carrol Borland's "Luna" mystery and Vampira's poise. Besides her modeling and film-hosting career, RedVamp has a degree in psychology and donates her time working with autistic children, as well as other challenged youngsters.

We wanted to get to know her better, so we sent her a list of questions that she was kind enough to answer. So, enjoy getting to know RedVamp. (Her Web site, http://www.redvamp.com/ is currently under construction, but there's a link to her MySpace page: http://www.myspace.com/redvamp )

The RedVamp Interview

1) You live your Red Vamp persona and that makes you distinct from Elvira, who is a character. I'm wondering, what similar person is an inspiration for you? I regard Vampira as an entertainer who lived her life like her persona. Was she an inspiration for you? What about Carrol Borland?

I do admire women such as Vampira and Elvira and I suppose that I have a similar look to Carrol Borland’s character in Mark of the Vampire, but honestly, my style and persona are simply just me being me! The RedVamp persona and look just naturally came about from my own likes, tastes, and interests. That really is who I am in everyday life. As far as horror hosting, I can take some inspiration from those such as Elvira and Vampira, but I have never tried to mimic or be like any one particular person.

2) What influenced you to pursue gothic modeling and fashion? Also, tell us about some of the items, jewelry, that you sell.

I’ve modeled on and off since childhood, but the gothic modeling came about as an adult, when I no longer fit the mainstream look. The style, fashion, and look was, again, just naturally what I liked and who I was, so various designers, websites, magazines, etc. in the gothic world thought that I was a good fit for them. I don’t personally sell any items, but I have modeled for various designers that sell gothic clothing, jewelry, and accessories such as Gothica by Amira, After Dark Jewelry, Azrael’s Accomplice, Crimson Empress, Deadamore Handbags, Madame LeGoth, etc.

3) When you had the ScreamTV host show, you went to some cult films/horror trade shows. What was that like? Is it interesting to meet people that are a part of the genre, either by association (Bela Lugosi Jr., Sara Karloff) or industry persons, such as the late Vampira or Forrest J. Ackerman and others?

Meeting people in the industry has been one of the greatest benefits of making appearances at conventions. I’m such a huge Lugosi, Karloff, and Chaney fan that I was thrilled to meet the offspring of these greats and get to know them a little bit. The celebrities, themselves, are great, too. I was honored to meet Ben Chapmen, before he passed away, and Julia Adams from the Creature from the Black Lagoon. Those associated with the classics have been my favorites to meet, but I’ve also enjoyed meeting many actors from the modern films, as well.

4) You mention you enjoy early horror and 60s horror genres. What it is about Nosferatu that makes it a classic for you? The same for Dracula, Frankenstein, Bride of Frankenstein ... What are some other films that you consider significant in the genre. I'm interested in films that you like from 40s, 50s and 60s.

Nosferatu was basically the original vampire film and Count Orlok, one of the first monsters of film. Nosferatu, along with Dracula, Frankenstein, Bride of Frankenstein, etc. paved the way for the genre and had a huge influence on the public’s perception of the vampire, the monster, etc. Who does not think of Lugosi when they conjure an image of Dracula or who does not visualize and image of Karloff when thinking about Frankenstein? These movies are classics because they created these images in our minds. Even though there have been modern remakes, the images of the modern versions have not dethroned the originals. For example, the average person is not going to think of De Niro’s portrayal of the monster in Frankenstein, but rather Karloff’s. Other films that are most definitely significant and are classics are Phantom of the Opera, The Wolfman, Dr. Jekyll and Mr. Hyde, The Creature from the Black Lagoon, and a multitude of Vincent Price films and Hammer films with actors such as Christopher Lee and Peter Cushing, just to name a few.

5) How does having a degree in psychology and working with autistic and mentally challenged children enhance your life. Is it a help to your gothic and film genre work? You have a family, including a new baby. Does your genre work have an influence in your home and personal life.

I haven’t really put the degree to work much, out of choice, but I am quite proud to have completed it and I may someday pursue a doctorate in neuroscience or other medical science, as that is where my interests in the field truly lie. Working with autistic children was very rewarding for me and I am blessed to know many special needs people and also have a special needs brother-in-law. My oldest daughter is now involved with working with special needs kids and adults and wants to be a special education teacher, so I am very proud of her. I don’t know that I would say having a degree or working with special needs people has been a help in gothic or film genre work, but personally, it has helped shape who I am, what I perceive as important, and what I am sensitive to. In regards to my family, my children, my new baby girl, etc., they are the number one priority in my life and everything else will always take a backseat. I wouldn’t say that my genre work really has an influence on my home and personal life, because I do always make sure that my family and marriage come first, so other than the occasional magazine, poster, photo, etc. the kids don’t see much of it and they are used to my own personal style, our home décor, etc. being influenced by the gothic genre and classic horror, because that is just who I am and how they’ve always known me.

6) What are your preferred tastes in gothic, horror and fantasy literature?

I don’t do much reading these days being busy with a new baby, but I do love Edgar Allen Poe and I am also a fan of Anne Rice. I also like to read “haunted history” type books about different haunted locations all over the world.

7) You mention that one advantage of the old films is there's less gore and more atmosphere. Is that why you don't tend to focus on newer genre films, although you mention you like the 92 Dracula?

Exactly! However, films such as the ’92 Dracula are in the same vein as the classics and don’t really have the gore either (not on the level of most modern horror), which is exactly why I like it. It remains true to the storyline. Unnecessary gore takes away from a good storyline, in my opinion.

Follow-up questions

1) You mention you enjoy Vincent Price films. His talent, someone said, was that he could both be scary and keep his tongue in his cheek. What are some Price films you enjoy the most. Some I love include Tower of London, Masque of the Red Death and Witchfinder General?

There are so many Price films and I’ve seen so many over the years that it is hard to pick particular favorites, but House on Haunted Hill, The Pit and the Pendulum, The Bat, The Haunted Palace, Witchfinder General, and the Abominable Dr. Phibes are a few that I’ve seen in recent years and enjoyed. I also absolutely loved his role in Edward Scissorhands, although it was much smaller than planned due to his health, and his narration in the Tim Burton short “Vincent”. In addition, I appreciate Vincent Price for his TV appearances, voice work, and radio work as much as I do for his movie roles.

2) What is your favorite Poe story and why?

Once again, it is difficult to choose, but the first one that comes to mind is the Tell-Tale Heart. I also enjoy his poetry. The Raven and Annabel Lee are a couple of my favorites. I’m currently reading the complete collection of Poe and have quite a ways to go, so my favorites may change as I work my way through.

3) Finally, I was intrigued you like Haunted History. I confess to being addicted to Ghost Hunters although I'm not sure I believe what I'm seeing. What are some historical "hauntings" that fascinate you and why?

I love to read about haunted castles and haunted locations in Britain, Ireland, Scotland, as well as Europe, in general. When I was about five years old, my parents took a trip to England and came back to tell me about all the haunted castles that they visited and the history behind them. I’ve been intrigued ever since. I am also very interested in many US locations, and have taken a particular interest in hauntings in the French Quarter of New Orleans, where my husband and I have visited regularly. We have made it a point to stay at many of the haunted hotels there, take the haunted history tours, etc. We have also sought out visiting other haunted locations around the US, such as St. Augustine, FL, San Francisco, etc. I would eventually like to visit other historical haunted sites in the US such as Gettysburg and Salem.

We thank RedVamp for taking the time to speak with Plan9Crunch. Here's one more clip from her cult horror hosting show: Classic Tales of Horror - The Terror