Sunday, March 21, 2021

The Phantom Planet: Low-budget, corny, enjoyable space opera


By Doug Gibson

"The Phantom Planet" is a 1961 low-budget space opera that is often mocked for its special effects and melodramatic plot. In fact, the 'bots on MST3K have spoofed it. Nevertheless, I find it a lot of fun. It is part of that endearing 1960s genre of low-budget space exploration films that are too ambitious for their plots. Films such as "Space Probe Taurus" and "The Wizard of Mars" come to mind.


"The Phantom Planet" takes place in 1986 and involves space ships out probing outer space for life. Some U.S. spaceships are disappearing so a new team is sent out. The two-man team is sucked toward a mysterious planet. One of the crew dies but Captain Frank Chapman (Dean Fredericks) survives. He lands on the planet Raydon, where everyone is 6 inches tall or so. He instantly become the same size,due to the weird atmosphere. 


Eventually Frank learns that Raydon is a planet trying to keep to itself and avoid conflict. One assumes there are a lot of people there but you never see more than a dozen or so Raydonians. There are a couple of beautiful sisters and Chapman is offered to choose one as a mate. I must add there is a sort of "Me Tarzan, You Jane" aspect to relations in this film that was common in these genre space operas.


 Eventually, after a few personality conflicts Frank bands together with the Raydonians to fight the planet's enemies, the Solarites. A Solarite is a rather gross, tall chicken-type creature. The budget only allows for one (played by Richard Kiel of Eegah fame) and he proves easy to vanquish. Frank falls in love with a beautiful Raydon girl (starlet Dolores Faith) and frets whether he should return to Earth. I'll spare future plot details to those who want to see this film. 


It's a fun time-waster. It slows a bit in the middle when Frank gets to Raydon and is out of the space craft, but the pace picks up at the end. All the genre fun is there: bizarre-looking space monsters, "popcorn-type" meteorites seen through a space capsule window, teeny tiny spaceship models moving clumsily through "space." It's corny but entertaining, what more can you ask of 90 minutes!

 

 The film is easy to find. It is in black and white although I just saw a colorized version courtesy of Legend Films. It was directed by William Marshall, a 1940s "big band" star who became an actor. One of his wives was Ginger Rogers. Former silent film star Francis X. Bushman played the Raydon leader. Hugo Grimaldi, who later helmed the cultish "The Human Duplicators," was part of the production.

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