The Spider Woman Strikes Back not a bad late Universal horror

 

I've been watching the free Internet Universal Monsters Channel of late (Xfinity 4135) and in between some dull and boring 21st century horror flicks, the UMC shows a healthy selection of the vintage Universal horror movies. Universal's run peaked in the mid '40s and the films essentially were better produced and written "poverty-row" horror types. They were on their last legs.

A lot of these mid '40s films are on the UMC. I had never seen 1946's The Spider Woman Strikes Back. But I'm a fan of Gale Sondergaard, who was pretty good in a couple of Universal Sherlock Holmes films. This film is 59 minutes and I wasn't expecting much. It's a slight film with a kind of "let's-wrap-things-up-quickly finale." However, it was a pleasant surprise: a not bad film with a good plot, fine acting and a generally creepy, suspenseful pace. And it also has the disfigured Rondo Hatton, Universal's dying horror star of the mid '40s. (Hatton suffered from acromegaly). 

The plot: Sondergaard is Zenobia Dollard, a reclusive blind woman living in a mansion. Hatton is her scary looking mute servant, Mario. Starlet Brenda Joyce (also Jane in the Tarzan movies) is hired as Zenobia's assistant. Zenobia's had other assistants who have mysteriously left service. Although Mario takes some getting used to, things start well between the trio. But Joyce, (whose character is named Jean Kingsley) begins to have excessive fatigue, and sleeps too much.

What's happening is Zenobia (who is not blind) is siphoning blood out of Jean nightly, with Mario as her assistant. She feeds the blood to toxic plants, which eventually pollutes the milk. Cows are dying. Area residents get ill. The community is in an uproar wondering why this is happening. I don't want to give away the final reel. Other characters include Jean's boyfriend, Kirby Grant (Hal Wentley), who does some sleuthing for his beloved. Along with other townspeople, they begin to tighten the noose on Zenobia and Mario.

Sondergaard is excellent in the film, with a chilly politeness and solicitude that is increasingly sinister. Hatton was a poor actor, but in this film, he seems to show -- in his own way -- sympathy for Jean. He doesn't want her to die like the other assistants.

Sondergaard had previously played The Spider Woman in a Sherlock Holmes Universal mystery, matching wits with Basil Rathbone. Obviously, producers played on that in The Spider Woman Strikes Back. But they are not the same character, and there are few spiders in the film. The sharp dialogue and pacing provide tension, particularly when Jean is in the large mansion, at the mercy of Xenobia and Mario.

The film plays like a longer version of a superb TV show along the lines of Thriller, Night Gallery, Alfred Hitchcock Presents, or The Twilight Zone. It's largely ignored now although there was a recent Blu Ray release. It must have pleased viewers as a B feature in the late 40s.

Universal was soon to end their horror production. It became Universal International and made a string of flops until Abbott and Costello Meet Frankenstein became a bit hit. As mentioned, the Universal B horrors are tighter and more disciplined than Poverty-Row films. But it's the chaotic, slapdash scripts of films such as The Corpse Vanishes or The Ape Man that make these cheapie films more popular today; not to mention the iconic Bela Lugosi starring in many.

But give The Spider Woman Strikes Back a viewing. I'll wager you'll enjoy it. You can watch the Universal Monster Channel here.

-- Doug Gibson

Amidst the Changing Tides an homage to Puget Sound's natural beauty

 

Puget Sound is a beautiful 100 miles or so of interconnected marine waterways along the state of Washington. Its deepest level is 930 feet. Its average water depth is 450 feet. This reviewer has never enjoyed the opportunity to visit. However, I just finished an anthology, Amidst the Changing Tides: Stories from Puget Sound, that makes me want to explore its natural beauty.

The anthology is edited by Drienie Hattingh, who lives in Gig Harbor, Wash. (located on the shore of Puget Sound) Hattingh is a novelist and short story writer, and she has contributed to this book. Hattingh once lived in Northern Utah. This reviewer, although not associated with Amidst the Changing Tides, has contributed to several books edited by Hattingh.

There are 29 stories in the anthology, which includes beautiful drawings. All the stories are well edited and don't tax the reader with excessive verbiage. They provide up-and-close, often personal descriptions of life in and around the waters of Puget Sound.

My favorite offering was the story, "Senescence," by Shannon Lewis. It's a fascinating tale of the last day in the life of a giant Pacific octopus. The passages tell the tale -- incredibly -- from the perspective of the sea creature. It's a poignant story, respectful, as the octopus deals with impending death, the loss of appetites and comforts it has enjoyed for years. The climax occurs in a shallow stream as the octopus feels the warmth of the sun.

Although not a scary story, the style contained a sense of the ominous, a foreboding that I'm accustomed to reading in dark literature. I was not surprised to learn that Lewis is a published horror writer.

Another story I enjoyed, and learned a lot from, is Hattingh's "Stella and Mac," a brief but heartwarming true tale of two Canadian geese, mated for life, that return to the same tavern in the town every year since 2015, making their nest to hatch their eggs. As Hattingh notes, people come to the tavern just to be witnesses to this annual event. (I had no idea Canadian geese mate for life.)

"Sound Therapy," by Tammy Joy Lane, is an emotional story of an Iraq War veteran, a woman, struggling with depression and raising a family in the Puget Sound area, which has lots of rain and dark days. To deal with this, she embraces the area she's chosen as home, noting its beauty and charm through long walks and other activities. The climax of this story, of encountering a seal during a walk, is powerful.

"Fishing the Alaskan Waters," by Ken Malich, is a spare, matter-of-fact tale about the challenges, travel and stress involved in trying to make a living from the sea. There's no high drama in the passages, but I found myself immersed with the interesting details of fishing life. It's something I'll never experience, but I certainly respect.

As mentioned, there are 29 stories, lots of illustrations, and brief biographies. I recommend reading two or three a day. As you get to know these writers, you'll both learn a lot about and gain appreciation for life on Puget Sound, and the sea.

-- Doug Gibson