John Fante's The Road to Los Angeles is a chaotic masterpiece novel

 

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The Road to Los Angeles, by John Fante, Black Sparrow Press and Ecco, 164 pages, 1985. Originally written in the 1930s.

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John Fante's first novel, The Road to Los Angeles, sat in the trunk for more than 50 years, finally to be published after his death. It's a brilliant, manic, energetic, wild at times almost incoherent novel of a pretentious well-read 18 year old, Arturo Bandini, trying to sow his oats in Depression-era Southern California. If Holden Caulfield had been on drugs, he might have resembled Arturo Bandini.

The subject matter might have scared away 1930s publishers. Arturo, is to put it mildly, quite eccentric. He masturbates to photos of women who he develops fantasy relationships with, then executes them by tearing the pages apart. He scorns religion, mercilessly teasing his devout mother and sister. He's a thief, a vandal, and he delights in killing crabs and other small critters. He has a vivid imagination, and manages to write a novel in a week. He also has ups and downs, and frequently maims himself and thinks of suicide.

What keeps The Road to Los Angeles at a fast pace is the vivid imagination of the author Fante. At times the novel seems written in a stream of consciousness, so quickly do ideas, mad, cruel or otherwise, flow from the mind of the character Bandini. One of the high points of the novel is Fante's description of fish canneries, where Bandini works. They are putrid, choking, grotesque factories where employees are paid 25 cents an hour and rewarded with a smell that no bath can wash away.

Fante's spare, fast-paced prose, with short sentences, was an inspiration for Charles Bukowski, who regarded Fante as his idol. Fante eventually gravitated to Hollywood and wrote mostly screenplays. One Full of Life, was also made into a movie. However, hard living and untreated diabetes left him lame and blind. He was living in obscurity in the mid 1970s when Bukowski sought out his idol, and eventually stirred re-interest in Fante's work. The Road to Los Angeles is a must-read, a chaotic masterpiece. (A photo of John Fante is below.)

-- Doug Gibson

 

Gamera versus Guiron was fun fare for kiddie monster movies

 

I watched this film, Gamera versus Guiron, on Prime, in Japanese with subtitles. It was charmingly hysterical. Two little boys team with Gamera to make the world safer (and decrease "traffic accidents.") Guiron sort of resembles a deranged "Barney." This must have filled kiddie Saturday matinees.

The plot involves two little boys who somehow find their way into outer space, traveling with, and held hostage by, two beautiful space woman who are the sole remaining members of their destroyed planet. The women are not nice. They want to eat the brains of the boys to enhance themselves. The use Guiron, which has a sharp mega blade for a knife, as a weapon.

Eventually, Gamera, described as a friend of children, flies out to help the children, and there's the requisite battle.

The film is oddly, goofily entertaining. Despite what I wrote in the first paragraph, I'm not sure it played kiddie matinees (they were dying out by 1970). I'm not sure it even had a theatrical release here. But by 1971, 1972, it was ubiquitous on TV, airing under the title, Attack of the Monsters. Enjoy some more stills from film below.

-- Doug Gibson