Monday, December 16, 2013
Black Christmas a scary cultish holiday flick
By Steve D. Stones
A film like this could never be made for today’s audiences because most phones have caller IDs. The plot evolves around a killer making obscene phone calls to a university sorority house. Wes Craven’s Scream and John Carpenter’s Halloween both owe a great deal of credit to this film.
The opening sequence is a point of view shot of someone wandering outside a sorority house and peaking in a window. This same technique was used in the opening sequence of the 1978 Halloween to establish the point of view of little Michael Meyers walking up to his sister’s room to stab her to death. Carpenter may have borrowed this idea from Black Christmas, made just four years earlier in 1974.
The film immediately sets up the premise that someone is lurking in the attic of the sorority house just before college students are leaving for their Christmas break. The opening point of view shot continues with a shot indicating that someone is crawling through the window from outside the attic. The shot then cuts to an interior shot inside the house showing the opening of the attic uncovered.
Sorority sister Jess, played by Olivia Hussey, answers the telephone to someone making loud obscene noises. She holds up the phone so that everyone in the room can hear the call. A girl in the room asks if the caller is only one person. “That’s the Mormon Tabernacle Choir doing their annual obscene phone call,” says Barbara, played by Margot Kidder.
One of the sorority sisters named Claire Harrison is in her room packing to leave for the Christmas break. Her father is to pick her up later that evening. As she walks into her closet to remove some of her clothes, a figure can be seen hiding behind plastic. The figure lunges at her and strangles her with the plastic. Next we see Claire dead in a rocking chair in the attic with the plastic wrapped around her head. The killer is rocking her back and fourth in the chair.
Claire’s father, Mr. Harrison, comes to pick her up at the bell tower on campus later that evening. She never shows up, so he decides to go directly to the sorority house to find out what happened to her. The drunken housemother Mrs. Mack meets him. She suggests that Claire could be at the fraternity house on campus visiting a boy.
Mr. Harrison cannot find Claire anywhere on campus so he goes to the local police station with some of Claire’s friends to file a missing persons report. Lieutenant Fuller, played by John Saxon, forms a search party later that night.
Meanwhile, Mrs. Mack is now housemother to an empty sorority house, and is desperately trying to find Claire’s cat named Claude. She climbs up to the attic to discover the corpse of Claire as the killer swings a meat hook on a rope, killing her.
Jess arrives back at the sorority house to another obscene phone call. Another point of view shot shows legs coming down the stairs towards Jess. It is Jess’s boyfriend Peter. This is where the audience is led to believe that the killer has to be Peter.
Peter proposes marriage to Jess, but she refuses. Peter is concerned over Jess’s decision to have an abortion, since he is the father. The two have a fight and Peter angrily leaves the house.
Lieutenant Fuller has a tracing device put on the sorority house phone. Jess sits by the fireplace in the house to wait for another obscene phone call so that the police can trace the call. She hears the loud sound of someone choking, and rushes into Barbara’s room as she is having an asthma attack in her sleep. Christmas carolers begin singing loudly outside the house. Jess opens the door to listen to the carolers as the killer comes out of the attic and kills Barbara in her room.
Jess comes back into the house as the carolers leave. The phone rings and Jess picks up the phone, only to hear more obscene noises. A close up shot of Jess’s face as she tries to talk to the obscene caller puts the viewer on the edge of their seat.
The police are able to trace the phone call to the house itself. Police clerk Nash calls Jess and tells her to get out of the house immediately. Jess grabs a fire poker from the fireplace and walks up the stairs to discover Barbara and another girl dead. She sees an eye staring out of the bedroom closet. This is the most haunting shot in the entire film.
Jess runs down the stars, but is unable to get the front door open. As she runs back towards the stairs, we see a hand reach out and grab her hair. She is able to get away and lock herself in the basement. A shadowy figure peeks into the windows of the basement and begins to call Jess by name. He breaks the window and we discover it is Peter her boyfriend.
The police arrive to find Jess lying on top of dead Peter. She has killed him with the fire poker. The police take her up to her bedroom to rest. The film ends with the camera traveling back up to the attic to reveal that the killer is still there with the corpses of Claire and Mrs. Mack. Peter was not the killer after all.
I think it would be safe to say that this film sets up many of the typical clichés that we now recognize in the slasher genre that saturated 1980s horror films. However, that is not to say that they are not effective in this film. There are many false scares in this film where the viewer is lead to believe one thing, but later discovers something else. Much of the horror in this film is implied, not shown.
For example, in one clever sequence, the parents of Claire Harrison are helping with the search effort to find their daughter. They see a girl screaming in a park and run to her. The camera shows a look of horror on their faces as they look down at something on the ground. The camera never shows what they are looking at, but we later discover they are seeing a murdered child, and not their daughter. The audience is led to believe it is their daughter they are looking at.
It is also quite clever that we never get to see what the killer looks like. As Jess runs down the stairs towards the end of the film and a hand reaches out over the banister to grab her, we never see who the person is, just the hand grabbing her. We also never see the killer as the camera travels back up to the attic at the end of the film, but we do know the killer is there. This is a clever tactic in never revealing to the audience who the killer really is.
As an interesting side note, producer/director Bob Clark went on to create A Christmas Story and the first two Porky’s films. All three films were a huge hit in the 1980s. Have yourself a scary little Christmas with Black Christmas this Christmas Season! And watch the really cool complete original trailer for the film above!