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Monday, February 28, 2011

Plan9Crunch review: Surgikill


In 1988, underground filmmaker Andy Milligan embarked on directing his final full-length feature film. Media Arts Productions LLC produced it. The film was to be a black comedy set in a small community hospital called Goode Community Hospital, named after Dr. Grace Goode, a character in the film played by Darlene Van Harlingen, also known as Bouvier. Her husband, John Van Harlingen, was the executive producer. This film is quite departure from the canon of other Milligan films, which were over the top sex and gore epics. The film was shot in an abandoned neighborhood clinic near downtown Los Angeles.

Dr. Goode is desperately trying to keep her small hospital in functioning order as some of her staff and patients are being murdered one by one. Not to mention that she is constantly being hounded to sell the hospital for other greedy business prospects.

The film is full of over-the-top gags and gimmicks that are occasionally funny and sometimes overstated and juvenile. For example, one particularly funny scene, at least to me, shows an old woman arriving at the hospital reception desk with a bedpan stuck to her butt. Two hospital orderlies attempt to pry it off her as she stands in complete embarrassment. Other scenes show characters being hit over the head with a bedpan, or splashed with urine from bedpans. These scenes quickly become overstated. Some of the characters constantly repeating: "We care about the people we care for," quickly gets exhausted too.

Another particularly funny scene shows an old woman lying on her back in the operating room with an arrow sticking out of her butt. Apparently her husband had mistaken her for an archery target and accidentally shot her in the butt. Perhaps her husband was on a hunting trip with Dick Cheney at the time, long before he became Vice President?

A latter scene in the same operating room has Dr. Harvey and Dr. Schweitzer performing a gallbladder surgery. They can’t seem to find the patient’s gallbladder, so they end up tearing out several of the organs from the patient. This particular scene has some connection to earlier Milligan films because it is intentionally and graphically violent, even if the organs used in the scene are obviously unconvincing and fake. Herschel Gordon Lewis would be proud of this scene.
A connection this film has to earlier Milligan films is the nurse-receptionist character and drag queen Ronna, who is very similar to the drag queen in Milligan’s excellent Fleshpot On 42nd Street, played by Neil Flanagan. Ronna is later revealed to be Robert Goode, who is Grace Goode’s cousin and the murderer in the film. Robert is murdering hospital staff and patients in hopes to inherit the family hospital for himself.

Nurse Ronna and Dr. Grace Goode are the two characters I enjoyed the most, and felt the audience would have the greatest connection to. The young, fresh out of medical school Dr. Schweitzer, seems a bit unconvincing to me as he constantly sucks on a baby’s pacifier, implying that he is young, inexperienced and "wet behind the ears." This character gets a bit annoying too. Many of the actors in the film are way over the top in their acting, and frequently shout their lines, much like in an early John Waters film.

Is Surgikill a great film? No, but who cares? I like movies to occasionally be campy, over-the-top and unbelievable, otherwise I would not be writing articles for this web site. Is Surgikill Andy Milligan’s best film? Probably not. I place my vote with Torture Dungeon, which I regard as his greatest masterpiece. Still, any die-hard fan of Andy Milligan cannot afford to miss this entry in his filmography. It may not have the same low-budget, gritty charm as his films of the late 1960s and early 1970s, but it is worthy of a viewing, if only to see what his last film looks like before his death in 1991. Like Milligan’s earlier films, I am confident that Surgikill will continue to gain a strong cult following as the years go by. Fans are eagerly awaiting a DVD release soon.

-- Steve D. Stones

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