Ever wanted to see how really evil a person Vincent Price could portray in a film? Go rent, or buy, the Conqueror Worm. This is a magnificent film about 17th Century England and witch hunter Matthew Hopkins (Price) who is the law in a war-torn land. The plot: The sadistic Hopkins and his henchman Stearne (Russell) terrorize towns by executing “witches” and collecting cash for their services. In Brandiston, they torture an aged preacher. In order to save the preacher’s life, his niece Sara (Dwyer) agrees to be Hopkins’ sex slave. But after Stearne rapes Sara, Hopkins loses interest in Sara and kills her uncle.
Back from the wars arrives Sara’s intended Richard Marshall (Ogilvy) and when he finds out how his fiance has been treated, he swears vengeance and goes after the witch hunter, who lays a trap for Marshall. I won’t give away the climax, except to say that the intensity of the last scene has been matched by few cult films.
Atmosphere keeps The Conqueror Worm moving at a fast pace. The characters seem believable, whether they are in a pub, at war or witnessing the execution of a “witch.” Critic Danny Peary describes Price as never having been better. Peary also talks about the triumph of evil, which “will emerge victorious” despite whether Hopkins or Marshall kills the other. In the film, the viewer is jolted into a sense of overwhelming pessimism of the situation. One wonders at the end if the protagonist (Marshall) is really any better than Hopkins.
Credit to the gloomy but effective mood of Conqueror Worm goes to the director Michael Reeves. He was a major new talent in Britain in the 1960s. Besides Conqueror, he directed The Castle of the Living Dead, 1964, and The Sorcerers, 1967, with Boris Karloff. Sadly, Reeves took his own life in 1969.
-- Doug Gibson